Happy about: Legacy of Kain: Defiance Remastered

Being the Legacy of Kain fan that I am, as I’ve covered in my review of Legacy of Kain: Soul Reaver 1&2 Remastered last year, I was extremely excited about Defiance. Ever since Soul Reaver 2 still didn’t finish the story started in Soul Reaver 1, people expected the inevitable Soul Reaver 3 (and Defiance was actually known by that name internally at the start). So when the Blood Omen 2 (which hasn’t been remastered yet) was released first, I was slightly confused, but also intrigued. After all, the events of the game contradicted the known timeline, and even the developers vaguely mentioned that something in Defiance would lead to Blood Omen 2 events existing. Then the early PS2 trailer for Defiance (as it was officially unveiled) hit with some cool nu-metal-ish song playing and I downloaded and rewatched that trailer a lot (the track is called “In the Crossfire”, by the way, as I’ve learnt years ago from the best LoK fan site). Playing as both Kain and Raziel in an epic conclusion to the storyline of Raziel (as it would probably be), was such an exciting prospect.

And then the game came out and… I liked it. But it was also weird. It did conclude Raziel’s story in a mostly satisfying way in broad strokes, it left a lot of questions unanswered. But far more importantly – the game felt even more unfinished than Soul Reaver 1, and that game ended with a “To be continued” screen. This feeling is not something that Legacy of Kain: Defiance Remastered can fix, but where it could, the remaster made the game a lot better.

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Happy about: Pragmata

Capcom used to stick with safe releases. New Monster Hunter or Street Fighter game, remaking a Resident Evil title that was already good and doesn’t need remaking, maybe even making a new Resident Evil game to varying levels of quality. But in the past few years, they’ve started to spice things up with unexpected things. Less than two years ago they released Kunitsu-Gami: Path of the Goddess – a fantastic and weird mix of hack and slash action and tower defense. This year, the surprise is Pragmata – a very curious mix of different ideas that starts really well and ends… alright.

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Revisiting S.T.A.L.K.E.R.: Shadow of Chornobyl and Clear Sky – Enhanced Editions

Seven years ago was the first time I’ve decided to finally sit down and play through all of the original three S.T.A.L.K.E.R. titles start to finish. Because even though I have followed the development of the original from early 00s, when it was just a sci-fi Oblivion Lost project with no ties to the Roadside Picnic or the Chornobyl Exclusion Zone, I didn’t particularly care about the game when it finally came out. Anyway, that playthrough from seven years ago was the second time I’ve completed Shadow of Chornobyl, first time I’ve completed Clear Sky and also first time I’ve played Call of Prypiat at all. For that playthrough I chose to not use any mods or fan patches to judge the games as they were. Now that Enhanced Edition versions of all three games are part of the Legends of the Zone Trilogy, I’ve decided to do the same. And in this post, I will talk about Shadow of Chornobyl and Clear Sky, the two titles I like less and which should have benefitted the most from a re-release.

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Happy about: Avowed

When Avowed was first announced half a decade ago, I was mildly curious, but somewhat concerned about the idea. After all, Pillars of Eternity II: Deadfire has shown a significant drop in writing quality for Obsidian Entertainment, even if it was ultimately still an alright game. Going full on first person action RPG?.. Not the direction I wanted the series to go in. But then again, The Outer Worlds wasn’t terrible, even if still a clear drop in quality for the team, so maybe they were onto something. And so a year ago Avowed was finally released to somewhat positive reviews and after seeing some people play the game online, I’ve decided to grab it sometime later when it gets patched a bunch. Year later, the game received a massive update that added a few nice elements and quality of life features, so I’ve decided to finally give it a go.

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Happy about: Paranormasight: The Mermaid’s Curse

Three years ago I enjoyed playing Paranormasight: The Seven Mysteries of Honjo, that came out of nowhere and was made by Square Enix, of all companies. It was a fun and creative adventure game with the presentation that most people associate with Visual Novels and lots of inventive “meta” ideas. Given the modern state of gaming industry, I was afraid that it will stay a cool one-off, but no – we have a sequel now. Paranormasight: The Mermaid’s Curse is exactly what one could want from a sequel – it’s “more but different”.

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Happy about: Everspace 2 (with DLCs)

Since I’m not a fan of roguelite or roguelike games, I did miss Everspace when it was originally released. It was a curious combination of action RPG, space sim (or more space shooter) with the FTL: Faster Than Light inspired structure, where you were jumping between different procedurally generated locations, while being chased by a powerful foe. It did have a story, but the main draw of the game was specifically in that die and repeat nature of the genre and the fact that the space dogfights were quite fun. And then in 2023 the developers released the sequel Everspace 2 (although it was in Early Access for a few years), and with this game they’ve changed a lot in the direction that got me interested. Instead of a purely roguelite structure, a proper handmade world with interesting exploration, story, quests and all of the cool stuff I tend to like, while still keeping the fun space battles intact. Knowing that the game will get updates and DLCs, I decided to postpone my own playthrough and now, when the game is, as developers claim, in the more or less completely final state, I’ve decided to finally give it a go. And while it is quite a bit messy, I enjoyed playing it a lot.

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Disapprove: Assassin’s Creed Shadows (with Claws of Awaji)

I keep doing it to myself. I keep playing Assassin’s Creed games, long after most of the world dismissed them completely, in hopes that the series will finally find an identity and stick with it, instead of being the epitome of the “Ubisoft game”, as a dismissive description. I’ve played every game that was released on PC so far and the only two I have never finished were one of those uninteresting Chronicles games (I think the final one), and Valhalla, which was so horribly boring, I didn’t get much further than the opening act. Yet, if Valhalla was easily the worst Assassin’s Creed game so far that I didn’t finish, Assassin’s Creed Shadows is the one I wish I didn’t finish, instead of wasting almost 60 hours on it.

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Thoughts on: DOOM: The Dark Ages

Doom is, of course, an extremely important and influential franchise. Not just for First Person Shooters, but all games in general. Every game was a technical marvel in some way, every game has a fanbase… Yet, as for me, as of today I still genuinely love only Doom and Doom 64, with the rest of the titles evoking a range of emotions from mostly positive appreciation to outright annoyance. The “modern run” of the series, started 10 years ago with Doom (2016) has a pretty huge and vocal fanbase that I rarely agreed with. I liked the first of these well enough, and I feel like my opinion on it grew with time, but I didn’t really care for its arena/encounter-based approach to FPS. Doom Eternal I liked a lot at launch, despite it’s numerous issues, and was hoping that it would be tweaked to be a better game. Yet, instead it was made worse and The Ancient Gods (both parts) were absolutely atrocious DLCs that have laid bare all of the issues with the game’s systems.

And now I’ve decided to finally play Doom: The Dark Ages. Which is… an acceptable product? A functioning FPS? What I’m getting at is that this game is certainly not bad, but it’s so lifeless, I’m surprised this got made.

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Revisiting Assassin’s Creed Mirage with The Valley of Memory update

A year and a half ago I’ve enjoyed playing through Assassin’s Creed Mirage. It was a nice attempt by Ubisoft to remember what made the series what it was in the first place and while flawed, the attempt was a success and the game was easily among the best entries in the franchise. Heck, if you remember that the series are supposed to be a story-driven action stealth game in the urban environment, this might’ve been the best implementation of the idea yet, mechanically anyway.

And then, out of the blue, the studio has announced a free story expansion for the title called The Valley of Memory, that eventually released a few months ago. I wasn’t planning on revisiting the game so soon, if I’m honest, but I was in the middle of trying to force myself play through Assassin’s Creed Shadows, so I wanted to remind myself why do I even like these games. So I quickly played a few minutes of almost each title to remind myself of how they were, which culminated with me completing The Valley of Memory. Which renewed my opinion that Mirage is among the best entries. And that Assassin’s Creed really needs to figure out its own identity.

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Baffled by: Resident Evil Requiem

If you know me, you know how much of a Resident Evil fan/nerd I am. I fell in love with it since after experiencing the Director’s Cut of the first game back in 1997 or so, but of course it doesn’t mean that I like all of the games in the series. There are games that I like less, games that I like more, game that I have replayed countless times and games that I rarely revisit. Yet in all this time Requiem might be the first time ever that I have finished a Resident Evil game and immediately uninstalled it. And have no desire to play it again.

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