In love with: Brothers: A Tale of Two Sons Remake

Back in 2013 Starbreeze Studios was in a weird position. They had lost several key team members in the years prior and in 2012 released Syndicate, a game that wasn’t well received. Releasing a small downloadable only cinematic platformer title was not something people expected of them at the time, but Brothers: A Tale of Two Sons was a success that made people trust the studio once again. Pitched and directed by Josef Fares, who has since worked on purely cooperative titles A Way Out and It Takes Two, it was a very curious attempt to create a “single-player coop” kind of game. That used its simple yet inventive controls to tell a wonderful fairy tale (in the classic dark but hopeful way) story that evoked emotions through basic interactions.

The game has been re-released and ported numerous times since then and now, over 10 years since release, it got an almost shot for shot remake of the game, similarly to Like a Dragon: Ishin! from last year. This remake aims to be a new definitive version of the game and while it doesn’t quite succeed to be that at the moment, the game at the core remains amazing.

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O tempora: Star Wars: Dark Forces Remaster

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

While I’ve played every other entry in the Jedi Knight series of games, the very first entry has eluded me for years. No one I knew talked much about it in the 90s, as prior to the sequel we didn’t hear about it and after the sequel was out we were more interested in it and the expansion that followed. While in the 00s, after Jedi Outcast was out, I got interested in revisiting the earlier games, but they were very hard to launch on the hardware I had at that time. When Dark Forces was re-released on GOG in a playable state, I… didn’t care, to be honest. And only recently, when the fantastic fan made Force Engine was made available decided to give it a go, before abandoning it about half-way through.

Now that an official Remaster is out, made by NightDive who rarely disappoint, I decided to give it another chance. And I almost wish I didn’t. As for how important this game is in terms of historic value, it’s also one of the most frustrating classic FPS titles I’ve played in years.

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Thoughts on: Hollow Cocoon

There has been a lot of attempts at creating horror themed adventures that focus on a stalker-type enemy ever since the 90s. Clock Tower series are possibly the best known example, but one can think of plenty of other examples, starting from something simple like the werewolf in Ecstatica, to the more recent and complex xenomorph in Alien: Isolation. Hollow Cocoon is a very respectable attempt at creating a horror themed stealth action adventure with a persistent stalker from a small studio. I’m very happy it exists and I really admire it. But it’s also not a game that I could recommend to most players.

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Happy about: Snufkin: Melody of Moominvalley

Even if you didn’t read the stories or watch any of the adaptations, it seems almost impossible to not be aware of the Moomins and their visual designs, both created by the Finnish writer and illustrator Tove Jansson. Yet, there haven’t been that many videogame adaptations of the series and those that existed seem to have been exclusive to either Finnish or Japanese market. As such, Snufkin: Melody of Moominvalley might be the first videogame adaptation of Moomins to release internationally and on several modern platforms. It is a very very simple game, but also a very very charming one.

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Disapprove: Alone in the Dark (2024)

Another decade, another attempt to revive Alone in the Dark. I’ve recently covered all of the previous games in the series (excluding Illumination, because who cares). The inspiring original trilogy that shaped modern action adventures, but aged poorly. A much simpler first reboot The New Nightmare that nonetheless did several incredibly ambitious things. Overly ambitious Alone in the Dark from 2008, that attempted to reinvent the genre but failed miserably. And now we have a third game simply titled Alone in the Dark, except this lacks any ambition of the previous entries.

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Happy about: Death Stranding Director’s Cut

When Death Stranding was first announced, no gameplay was shown, so no one knew what to think of the game. When the game was finally released in 2019 and you could play it, it was still hard to understand what this game is. A delivery person simulator in a post apocalyptic world with horror and sci-fi story, action adventure gameplay with stealth, light survival game mechanics and crafting in an open world? Huh? …Is it fun? This question will not be possible to answer until at least a few hours into the game, as it takes a while before you start getting into the pace it establishes and understanding if you like whatever this is or not. I think, I really liked it. But it also took me over 80 hours to finish it and have this answer.

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Thoughts on: The Thaumaturge

While I didn’t have high hopes for The Thaumaturge, it seemed potentially interesting. The setting, the time period, the topics and how mystical dark fantasy story could be integrated in all of that was promising. And the mix of story driven adventuring with turn based battles had a lot of cool ideas about them. But, unfortunately, the end result is quite underwhelming for the most part and outright bad in a few spots.

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Happy about: Arzette: The Jewel of Faramore

Memes – that was the legacy of the infamous Nintendo licensed Zelda titles on the Philips CD-i. Not surprising, really, since both Link: The Faces of Evil and Zelda: The Wand of Gamelon were not very good games. But they did have bizarre and unconventional visual style, especially for their animated cutscenes, all of which became a popular source of the “YouTube poop” videos that used to be insanely popular in the late 2000s. So it’s interesting, how many people grew up knowing these titles, without ever playing them. Back in 2020 Seth Fulkerson (also known as Dopply) created unofficial remasters of both games running on GameMaker and featuring a lot of improvements that turned those titles into something that was at least playable and less frustrating. Those remasters, for legal reasons, are not available anymore so instead Dopply decided to create a game that would serve as a spiritual successor to those bizarre titles. And in doing so, managed to create a game that is genuinely enjoyable.

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Disapprove: Homefront and Homefront: The Revolution

There’s something fascinating about seeing two attempts at creating a game franchise fail so miserably as it happened with Homefront. I can understand why the publishers thought there was potential here – a franchise of FPS titles built around an idea of war happening on US soil. It could be provocative and novel and independently of quality of the end product guarantee to cause at least some uproar and publicity, positive or not. And its not like the attempts were the same, they tried approaching the same basic idea from rather different perspectives. Yet, both of them are very much not good and not worth playing at all.

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In love with: Dragon Quest XI S: Echoes of an Elusive Age – Definitive Edition

So… I’ve never played a Dragon Quest game before this one. It’s a bit odd to think that, given how important for the development of Japanese-made RPGs the game was. Even if it itself originally drew inspiration from Wizardry and Ultima. But yeah, I’ve played almost every Final Fantasy game, but never Dragon Quest. So I’m glad that DQ XI became my introduction to the series as I do see why it’s often called one of the greatest examples of the genre.

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