Just a couple of months ago I was talking about Herdling and mentioned how these types of atmospheric journey action adventure games are surprisingly easy to fail. They usually have very little in terms of “challenge” or problem solving, so they need to either do something interesting with their mechanics, or at least know how to be short and beautiful enough to be a fun distraction. Where Sword of the Sea has extremely fun movement tech, Herdling has the herding mechanic, Keeper has basically nothing. But it is, thankfully, short and beautiful enough to at least be alright.
Tag: game review
Thoughts on: ROUTINE
Now that I’ve played ROUTINE, after over a decade of waiting, I can safely say that the story of waiting for the game turned out to be far more interesting than the game itself. Announced back in 2012, the game looked very promising. It seemed like curious continuation of ideas from System Shock 2 and Doom 3, mixed with more modern (for the time) approaches made by Frictional Games with their Penumbra and Amnesia titles. But also mentioned some more unconventional concepts, like the idea of a permadeath or highly non-linearity… Then, development troubles ensued and after moving from Unreal Engine 3 to 4, then to 5 and changing quite a bit from those initial trailers, the game is finally out.
During the years of development, the craze for the Amnesia: The Dark Descent-like games have died out, as did the “scarecam” popularity of YouTube videos. In fact, streaming or recordings of streams seem to be far more popular for games nowadays than pre-recorded videos. A lot of the elements that people were hoping to see in Routine were realized to great effect in the fantastic Alien: Isolation back in 2014. And in 2017 Capcom revived the proper classic survival horror with Resident Evil 7, with the genre still being popular today. All of which would be hard to ignore going into Routine. But even if I did, even if I would imagine this game coming out in 2013 the same way it came out today, I’m not sure the game would’ve felt any less mediocre.
Happy about: Ghost of Tsushima Director’s Cut
Over the years I’ve grown extremely tired of open world games. It’s very rare that the prospect of playing one excites me, especially if the title is clearly inspired by the type of open world design that Ubisoft have popularized with their Assassin’s Creed titles. But I still find interesting titles from time to time and Ghost of Tsushima had a lot of positivity about it from people I tend to share opinions with. After ignoring the PC release of the game for over a year, I’ve decided to give it a shot and while the game still has a lot of faults, it did end up among the better examples of the genre.
Thoughts on: Tormented Souls 2
Four years ago Tormented Souls became quite a pleasant surprise for me. I still maintain that if it were to be released during the heyday of classic survival horror, it would’ve been mostly forgotten by now, but in the current period of this genre revival the game was among the best independently released titles. A lot of it was by the books survival horror, the story was nonsense and the combat wasn’t great (but it wasn’t terrible either), but it clearly showed the developers understanding of the genre, which is not very common among releases that attempt to follow the classic survival horror pillars. The fact that a direct sequel to the game with such a dumb story was announced, was somewhat surprising to me, but if it meant more good gameplay, I was up for it. Unfortunately, while Tormented Souls 2 has some improvements over the predecessor and isn’t a bad game to experience, it is far less enjoyable and considerably more frustrating.
O tempora: Sweet Home
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
I’ve talked about movie tie-in titles that became instrumental in shaping the future of gaming when I was exploring The Chronicles of Riddick: Escape from Butcher Bay. But this time, we are going even further back in time to 1989, to a horror themed action adventure turn based party based RPG Sweet Home, developed by Capcom as a tie-in to the movie of the same name. It was released on Famicom exclusively in Japan and has never been officially localized or re-released. Yet, this game and its unique blend of game mechanics are incredibly unique and have never been recreated to this day. And it is also the reason Resident Evil exists.
Happy about: The Séance of Blake Manor
While a lot of people recommended me The Darkside Detective, a comedic point and click adventure game from Spooky Doorway, when I did try it for myself, I wasn’t a fan and never finished it. Nonetheless, when “Eldritch House” was originally announced a couple of years ago, I got intrigued. It was shaping up to be a very curious investigation focused adventure game with some cosmic/weird horror flavour and with interesting visual design too. That game was renamed The Séance of Blake Manor alongside the release date announcement and now that I’ve had time to play it, I’m very impressed. Even if it’s a flawed game.
Happy about: The Lacerator
When you first see The Lacerator store page pop up, you almost instinctively want to move on. It looks like one of way too many linear trashy horror themed action games designed as low budget slasher movies that became extremely popular ever since Puppet Combo cracked that formula. But where those types of games are linear romps with little to no interesting gameplay, The Lacerator is the complete opposite. It’s a branching paths non-linear horror themed action adventure game with a crazy amount of variation and discovery. Not quite as ridiculous as True Crime: Streets of LA was back in the day, I suppose, but fresh and impressive nonetheless.
Laughing at: Dementium: The Ward (now on PC)
This one’s a bit of an outlier. You see, I have played Dementium: The Ward back on Nintendo DS. And watched people play it to completion on streams. So I was fully aware of what an absolute garbage this game is. But I wanted to get it out of my system, I guess, and have a playable PC version. And be able to easily install it to listen to some of the worst soundtracks in history of gaming. So, without going any further – you shouldn’t consider this game seriously at all. But, it is very cheap, the PC port is really good, so if you’re in the mood for some astonishing horror themed trash, this can be entertaining.
In love with: Silent Hill f
Even before Silent Hill died, many fans of the original 3 games (and The Room) had doubts it can come back. Apart from pleasant surprises like Shattered Memories, that played completely differently anyway, the franchise has turned into crap. One last glimmer of hope was Silent Hills that got cancelled almost at the same time as it got revealed and the dream was dead.
And then, after years of Konami going full pachi-slop, there were serious hints of the series revival that I personally dreaded. When the garbage called Silent Hill: Ascension was dumped onto the world (“I like to make jams!”), it only reinforced my feelings that we will see more crap. Silent Hill: The Short Message was better, but played like Shattered Memories except with extremely heavy handed messaging. Only when Silent Hill 2 remake came out and turned out to be solid, if incredibly safe and forgettable, did it start to feel that maybe the franchise can be revived.
That’s how we get to Silent Hill f which is both the best Silent Hill game with combat since Silent Hill 3 (I admire The Room, but it’s a difficult game to enjoy), but also… not much of a Silent Hill game. It’s weird, but in a very good way.
In love with: Sword of the Sea
Journey by thatgamecompany has been rightfully considered a classic for over a decade now, a perfect culmination of ideas the team has played with up until that point. But when several team members left and created their own studio Giant Squid, their first project Abzû was highly liked, but never reached the same cult status. Which is a real shame, because it is one of the most beautiful and medidative games I’ve ever played with really fun movement. A few years later, the team followed it up with The Pathless, another game with really cool movement, but that one I did not finish. It felt like a very odd mix of open world-ish design with the meditative pace of Abzû (that had linear levels), so the end result to me felt very boring. Several years later still, the team decided to mix the best ideas they’ve had in all projects since Journey into Sword of the Sea and it’s really fun.