O tempora: Tomb Raider I-III Remastered

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

I’ve been meaning to replay the classic Tomb Raider games for years now. I could – I own the PC versions on GOG and while there are some nuances about running them on modern systems, those ports are solid. But I never had time or desire, as all Tomb Raider games are quite long and slow. I used to love The Last Revelation and quite enjoyed most of Chronicles and played them a lot as a teen. But the first three? I’ve never properly finished the first, stopped playing the second at around midpoint and remembered next to nothing about the third, despite completing it decades ago. There were also three PC exclusive expansions – Unfinished Business, Golden Mask and The Lost Artefact for the 1st, 2nd and 3rd games respectively that I never even saw.

With the release of Tomb Raider I-III Remastered (Starring Lara Croft), I couldn’t delay this any further. A definitive package of the three games I was least familiar with, with the mentioned expansions and a bunch of quality of life and visual upgrades? Sign me up. A entire month of playing them later I can finally share what I think of the collection and the games themselves.

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Happy about: Snufkin: Melody of Moominvalley

Even if you didn’t read the stories or watch any of the adaptations, it seems almost impossible to not be aware of the Moomins and their visual designs, both created by the Finnish writer and illustrator Tove Jansson. Yet, there haven’t been that many videogame adaptations of the series and those that existed seem to have been exclusive to either Finnish or Japanese market. As such, Snufkin: Melody of Moominvalley might be the first videogame adaptation of Moomins to release internationally and on several modern platforms. It is a very very simple game, but also a very very charming one.

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Happy about: Death Stranding Director’s Cut

When Death Stranding was first announced, no gameplay was shown, so no one knew what to think of the game. When the game was finally released in 2019 and you could play it, it was still hard to understand what this game is. A delivery person simulator in a post apocalyptic world with horror and sci-fi story, action adventure gameplay with stealth, light survival game mechanics and crafting in an open world? Huh? …Is it fun? This question will not be possible to answer until at least a few hours into the game, as it takes a while before you start getting into the pace it establishes and understanding if you like whatever this is or not. I think, I really liked it. But it also took me over 80 hours to finish it and have this answer.

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Happy about: Arzette: The Jewel of Faramore

Memes – that was the legacy of the infamous Nintendo licensed Zelda titles on the Philips CD-i. Not surprising, really, since both Link: The Faces of Evil and Zelda: The Wand of Gamelon were not very good games. But they did have bizarre and unconventional visual style, especially for their animated cutscenes, all of which became a popular source of the “YouTube poop” videos that used to be insanely popular in the late 2000s. So it’s interesting, how many people grew up knowing these titles, without ever playing them. Back in 2020 Seth Fulkerson (also known as Dopply) created unofficial remasters of both games running on GameMaker and featuring a lot of improvements that turned those titles into something that was at least playable and less frustrating. Those remasters, for legal reasons, are not available anymore so instead Dopply decided to create a game that would serve as a spiritual successor to those bizarre titles. And in doing so, managed to create a game that is genuinely enjoyable.

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Happy about: Timespinner

While I love good exploration focused metroidvania titles and Timespinner is one of them, I have not played it until now, more than 5 years since it was released. I don’t even remember what made me doubt it’s worth playing. Maybe reviews that mentioned really poor writing (which turned out to be true, as I’ll cover later). Maybe the amount of metroidvania titles that started going into hard combat focus and all of the still popular “souls-like” elements, something I usually dislike, and I didn’t trust this game to not go that way. Either way, it wasn’t until after the sequel to this game was announced that I’ve decided to give it another look. And wasn’t until I heard someone describe it as “indie Castlevania: Order of Ecclesia” that I got really curious. Either way, I’m glad that I did.

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Happy about: Hi-Fi Rush

Hi-Fi Rush is a curious attempt at mixing a hack and slash action adventure in the style of Devil May Cry with a rhythm game. It was surprise released at the start of 2023 by Tango Gameworks, with the game project being directed by the same director, who previously managed the wonderful The Evil Within 2. And while I love the game’s style and energy, they are the main reason I’ve enjoyed it. Often in spite of the gameplay, not because of it.

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Happy about: Like a Dragon Gaiden: The Man Who Erased His Name

Weird how I seem to be playing Like a Dragon games more often than I’ve ever played the typical Ubisoft games, but the burnout is far less noticeable… Seriously, though, RGG Studio has been putting out games set in this universe not just annually lately, but often with several games coming out the same year. And in situations like with this game, I’m not sure if there was the point. Not that I disliked Like a Dragon Gaiden, quite the opposite, but it does feel almost unnecessary at points…

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Happy about: Ib

While there is a numerous amount of horror themed adventure games made on RPG Maker, I’ve never been fond of them usually. There have been some good examples here and there, but more often than not these games leaned too hard either in pure tasteless jumpscare territory or were simply too poorly written, relying on shock value or extreme themes. Due to that, I had no knowledge of Ib when it became an extremely popular free game back in the early 2010s and would have not paid attention to this 2022 updated (and no longer free) remake, if not for catching a few streams and videos on it. I am glad, however, that other people promoted this little gem and that I got to experience it for myself.

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Happy about: Lunacid

Until Demon’s Souls came out, I haven’t even heard of King’s Field or Shadow Tower games. And in almost 14 years since I have not found time or desire to finally play them. But, I suppose, now I kinda have played them, as Lunacid seems to be a love letter to the titles, draped in the lo-fi aesthetics and cosmic horror references. And I have quite enjoyed it.

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Happy about: RoboCop: Rogue City

Several years ago I’ve played Terminator: Resistance, which was a really neat mid-budget title from Teyon that managed to feel more fun in many ways than the big budget titles it borrowed ideas from. Additionally, it was also neat to see the studio try to capture the mood of the first two movies and find a way to make a game that made sense in the universe. Well, this time they are doing exactly the same thing with RoboCop. And while I don’t think it works as well as it did for Terminator, it’s still a very enjoyable simple game.

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