Until Demon’s Souls came out, I haven’t even heard of King’s Field or Shadow Tower games. And in almost 14 years since I have not found time or desire to finally play them. But, I suppose, now I kinda have played them, as Lunacid seems to be a love letter to the titles, draped in the lo-fi aesthetics and cosmic horror references. And I have quite enjoyed it.
Tag: great soundtrack
In love with: The Talos Principle 2
About 9 years ago Croteam surprised everyone by releasing a puzzle adventure with genuinely well written plot, instead of a mindless shooter where you kill dozens of enemies per minute. I loved the game, but by the end of the main game playthrough I got a bit tired with it and did complete the Road to Gehenna DLC. So while I was really interested in seeing Croteam revisit this idea again, I also wasn’t sure how one could make a sequel.
As it turned out, they knew exactly how to do it and it goes beyond my most optimistic expectations.
Ugly duckling: Alone in the Dark (2008)
Alone in the Dark from 2008 (also known as Alone in the Dark: Inferno on PS3) might be the last truly ambitious game of the last 20 years. That’s one hell of a statement to make, but I have good reasons to say it – what this game attempted to create is on a level that has not been attempted since. Possibly because the game didn’t turn out great and wasn’t positively received. I loved it back in 2008 even now for how frustrating a lot of the game is, I cannot help but love the effort and potential. While at the same time knowing well, that I can’t really recommend playing this game to the majority of people.
Happy about: Ion Fury: Aftershock
Four years ago Ion Fury became the first new commercial product in about 20 years to utilize the Build engine, best known for being used in Duke Nukem 3D, Blood and Shadow Warrior. The experience of playing the game was kinda neat, but also slightly confusing as while it was truly a classic FPS down to its engine, it also felt like a somewhat pointless exercise that didn’t really enhance the experience. Though the biggest issues of the title, as I’ve felt, were somewhat uninspired enemies and weapons and its extremely long length without as much variety in terms of levels. Aftershock is a new expansion for the game that addresses some of those flaws and leads to a result that, in my opinion, is superior to the main game itself.
In love with: Cyberpunk 2077 (2.01 with Phantom Liberty)
I suppose, Cyberpunk 2077 is the perfect example of why is it I try to avoid playing and reviewing games until they’re “complete”. Though, surprisingly, the big change that makes my old review somewhat outdated isn’t the new expansion Phantom Liberty, but rather the 2.0 patch that overhauled the game in a substantial way and all of the patches that preceded it. I loved playing the game even more than before, but this time I can also easily recommend it to others. All it took was “just” 3 extra years of development…
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O tempora: Alone in the Dark: The New Nightmare
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Now that the original trilogy is out of the way, I can talk about the Alone in the Dark game I’ve played the most – Alone in the Dark: The New Nightmare. The first and so far only reboot of the storyline. You see, for all the convoluted storylines, the original trilogy and the 2008 game are actually part of the same timeline. Even the horrible and rightfully forgotten spin-off Illumination was technically part of the same world. But with The New Nightmare the series attempted a fresh start headed by Darkworks, whom I recently talked about when revisiting Cold Fear. And it did many things right and a few things very wrong.
Thoughts on: Might & Magic: Clash of Heroes – Definitive Edition
While I have never played the original Nintendo DS version of Might & Magic: Clash of Heroes from 2009, I have played and greatly enjoyed the “HD” version of the game released in 2011 on PC, PSN and XBLA. It was a unique and highly enjoyable attempt to mix the turn-based strategy of the Heroes of Might & Magic games with very simple match 3 gameplay reminiscent of Puzzle Quest. It had frustrating aspects to it, of course, but I remember liking it a lot 12 years ago. And I have been considering revisiting the title for a while, but those plans had to be put on hold because I didn’t want to deal with the technical issues. Sadly, the original PC release became quite problematic to run in recent years and on top of that fans of the multiplayer aspect of the game (which I have never been interested in and have not played) were disappointed when a few years ago Ubisoft disabled the online functionality entirely.
The announcement of Might & Magic: Clash of Heroes – Definitive Edition was a very pleasant surprise and I dove into it as soon as I had time. Unfortunately, I have to say that the game hasn’t aged as well as I have remembered and this new release does nothing to the biggest frustrations the original game had as well.
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Happy about: The Saboteur
There was once a game development studio called Pandemic Studios, who released a lot of projects that were either extremely critically and financially successful, like Star Wars: Battlefront and Mercenaries: Playground of Destruction, or more polarizing, but still highly beloved like Full Spectrum Warrior or Destroy All Humans!. But then, after lots of delays, Mercenaries 2: World in Flames was launched to more mediocre reviews and there were reports that the game was released in a state deemed unfinished by the team. The Lord of the Rings: Conquest had even worse reviews and was relatively quickly forgotten. And the final game of the studio, The Saboteur, was launched after one of the development offices was already closed by EA and almost immediately after the game launch to relatively positive reviews, the whole studio was shut down.
Which came as a shock to me – I played The Saboteur when it was first released and considered it to be among the best and most enjoyable examples of sandbox-y open world games – games that I rarely enjoy. I remembered loving its sound design. How the parkour felt much better than what Assassin’s Creed did at the time (with only 2 first games launched). How its approach to stealth and sabotage felt like a perfect “simplified Hitman in open world”. But memories can often be incorrect, so for a while I wanted to revisit the game and give it a fresh look. Thankfully, it’s still available on GOG, and plays pretty well on modern hardware.
Revisiting Split/Second
There used to be a time I regularly played fun arcadey racing titles. But then two things happened. First – racing titles started to pursue the open world concept that made all of them move farther from the simplicity and joy of just selecting a car, a track and going. Second – the popularity of more sim-like arcade racing games like Forza Horizon and Grid, games that I just can’t get into to this day. The nice thing is that the last two greats of the genre that I loved were among the best I’ve ever experienced – Split/Second and Need for Speed: Hot Pursuit, both released in 2010. The sad thing is – there hasn’t been a single racing game since 2010 (the remaster of Hot Pursuit notwithstanding) that I’ve genuinely enjoyed. Is Split/Second as amazing as I remember it being?
In love with: Blasphemous 2
While initially I bounced off Blasphemous due to its focus on the “Dark Souls inspired challenge”, I did end up liking it a lot when playing the final version of the game a year ago. The title remained a bit too cryptic with some of its design and there still were some rude moments, but overall it was redesigned to be much more fun and welcoming. Its visual style and soundtrack were phenomenal as well.
I was very cautious about Blasphemous 2 as I couldn’t predict what direction a sequel could take. I could bounce off it even harder, after all, depending on what the focus of the game would be. In the end, I loved playing it. Yet I feel like some die hard fans of the original might get disappointed.