O tempora: Heretic + Hexen

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Just as it was the case with the original Doom titles, I’ve only played a little of Heretic in the 90s. My proper “formative” FPS experiences, I suppose I can call them that, happened later with Duke Nukem 3D and Half-Life. And for one reason or the other, I never had much desire to revisit the “Doom clones” from Raven Software, even as they became the “reliable mid-budget game developers” during the 2000s and 2010s, before being completely absorbed by Activision and turned into another machine to pump out Call of Duty content. Plus, I’ve heard horror stories about the level design of Hexen, so I wasn’t really keen to experience that either.

But, in what appears to have become a yearly tradition, Nightdive Studios have created yet another remastered release of the classic FPS titles that are running on some version of id Tech – Heretic + Hexen. “As you remember them” collection of both titles, both of their expansions and with two new expansions on top. And I’ve decided that it was finally time to experience what if Doom was fantasy.

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In love with: Metal Gear Solid Δ: Snake Eater

Half a year ago I was revisiting the Metal Gear series with the Master Collection Vol. 1 that is now finally in a good state, and was pleasantly surprised by my experience with MGS3. Up until that playthrough, I had more respect for the entry than love and have far preferred the first and the second games. But the replay has shown Snake Eater in a new light to me, which was one of the main reasons I’ve decided to grab Metal Gear Solid Δ (Delta): Snake Eater. At the end of that previous review I wondered if Delta will be the better way to experience the game. And now I can definitively say – yes.

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Quick thoughts on: Indiana Jones and the Great Circle: The Order of Giants

It’s been almost a year since the release of Indiana Jones and the Great Circle. A game that I liked a lot, but also felt like it was a bit too long and too ambitious and in the end didn’t quite scratch the same itch as the classic The Chronicles of Riddick: Escape from Butcher Bay. And as the time went by, I found myself rarely remembering the title, which was a bit sad to realize. Nonetheless, it was and still is a unique game for modern gaming market, so I was still looking forward for its only announced DLC – The Order of Giants. This DLC is finally out and… it’s fine. And also somewhat pointless.

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Thoughts on: Gears of War: Reloaded (campaign only)

Gears of War was quite an influential and important release. It paved the way for the cover-based shooters (while itself being influenced by Resident Evil 4), continued the popularity of cooperative titles while also fortifying the popularity of Xbox as the main console for multiplayer gaming. It became one of the main reasons for Unreal Engine 3 dominance during its era and turned Epic Games from a cool tech company popular mostly with PC multiplayer people into a household name. And is also a game I never particularly cared about. I played it in 2007 when it got ported to PC and found it to be quite tedious and, quite frankly, hideously ugly. After which I have proceeded to ignore the franchise right up until Gears 5, which I did play and enjoy. But it’s not like I was not curious about the other entries or even revisiting the original eventually, so I’m glad that a much better option now exists with Gears of War: Reloaded. A game that still uses Unreal Engine 3, but runs well on modern hardware and doesn’t look disgustingly greyish brown.

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O tempora: Gex Trilogy

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

My taste in platformers is something some consider unnatural. Despite growing during the era when platforming games of many variations were the dominant genre of games, there were not that many I actually liked. Mario games? Nope. Sonic games? Kinda, but not really my thing. Mega Man? Nah. Classic Castlevania titles? Also no. I admire and respect a lot of entries in those series, but the closer it gets to being just a platformer or action platformer, the less likely I am to enjoy the game, usually. Especially with 2D ones. Exploration focused games, like so called “metroidvanias” I do love. But if it’s just about jumping or jumping and shooting, especially if the game is supposed to be challenging – not for me.

And while there are a lot more 3D platformers that I like, it’s not a gigantic list as well. It lacks Mario, for example. But it does include Gex: Enter the Gecko – a game I have considered to be my favorite 3D platformer for the longest time. So when this game, as part of the “whole” “Trilogy” of Gex games was announced to be re-released, I was super excited. It didn’t need to be a remaster or a remake, just a very good re-release (emulated or not) of the original titles. Gex Trilogy is not quite there, though I’m still happy it exists.

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Happy about: Caput Mortum

Imagine the look of an early 2000s horror themed FPS mixed with elements of King’s Field and Penumbra, all wrapped in influences of Call of Cthulhu: Dark Corners of the Earth, with a pinch of mood of Arx Fatalis and Clive Barker’s Undying. This is a lot of references, but the idea here is that Caput Mortum is a freshly released horror themed action adventure game, but it feels like it could come out back in 2003 and feel right at home there. I mean it in the best sense. And while the game is quite short, it uses its runtime exceptionally well.

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Happy about: Herdling

With how many times I’ve seen games going for a moody games about a journey that feature no words over the decades, all I want from them is to just know what they want to do and when to stop. Starting from cinematic platformers of the early 90s and evolving through Ico and Journey, we’ve seen this approach taken so many times. All of the games like this are pretty and atmospheric, but they might focus on different aspects and mechanics. In case of Herdling – it’s about herding cute wooly cattle-like creatures on a journey from a city into the mountains and helping them avoid dangers. It lacks traditional puzzles, doesn’t really have a lot of “challenge”, has some optional exploration at times, but is mostly about moving forward. And it knows what it wants to do and when to stop.

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Thoughts on: OFF

Closer to the end of the 2000s the independent game development scene was starting to bloom. Independent developers have been doing it for a very long time by that point, but the mix of availability of tools and the evolution of the internet changed the game. People didn’t consider the commercial releases for their games yet as often as they do now, so a lot of genuinely impressive, influential and highly praised titles were released completely for free. OFF was one such title – originally released in 2008, completely in French, it was a surreal horror themed RPG made in RPG Maker 2003 with a memorable soundtrack. And a couple years later, with few unofficial fan made English translations, the game started going rounds around the internet and was often a target for then rising popularity of Let’s Play format of recorded game playthroughs on YouTube.

And now in 2025, after years of being talked about and influencing other developers, the game is officially translated into English, ported to Unity and is available as a commercial release. A faithful recreation of the original project with some improvements and some side-steps.

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Disapprove: Cronos: The New Dawn

Given Bloober Team’s previous track record and initial showings of Cronos: The New Dawn, I was considering ignoring it entirely as it looked extremely mediocre at best. Yet, at release, the game started getting a lot of positive reviews from everywhere. It can’t be that so many people are praising a poor game, right? Wrong, apparently. Cronos turned out to be not just mediocre in ways that I predicted, but it also somehow managed to do poorly things, that Bloober Team usually does really well.

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Happy about: Marvel’s Spider-Man 2

A few years ago Marvel’s Spider-Man Remastered had a surprise PC release so I had a chance to finally experience the new superhero open world title – something that I don’t find enjoyable as often as I’d like. But the game, despite having several notable flaws, was really fun and in many ways felt like a new benchmark on how to make an open world title with fun traversal around said world, and how to build the main and side story content in a way that feels well paced and rewarding, while also fitting with the main character so well. Marvel’s Spider-Man: Miles Morales followed soon after, and while it was still good, it also felt a bit “too much of the same”, without fully fixing the issues of the original. So where does this leave Marvel’s Spider-Man 2? Well, in some ways it is the best game in the series so far. But in some – it loses a bit of the personality that the first two games had.

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