It’s very odd to attempt to review a game like Tokyo Xtreme Racer, released in 2025 after a year in early access, as it feels both too simple and too complicated to explain in modern day game market. Because, it’s a game about street racing, where you battle other cars on a section of the Shuto Expressway to see who’s fastest and… that’s really it. The mechanics are simple and they don’t really change across the entirety of the game that can easily take over 20 hours or more. The rule of the “battles” are also dead simple. And most of it has not been changed drastically, it seems, since the original Shutokō Battle on Dreamcast came out in 1999 that was localized in United States as Tokyo Xtreme Racer. In a way, it’s a game from a bygone era. And yet, that’s the best thing possible.
Tag: game review
Happy about: The Rise of the Golden Idol (with DLCs)
A few years ago The Case of the Golden Idol really impressed me. It was a solid investigation game that drew a lot of ideas from Return of the Obra Dinn, where the gameplay revolved around investigating a scene frozen in time to get certain key words, and then putting those key words in specific forms to explain what happened. It had a unique visual style, really fun plot that gradually revealed itself through your investigations and even the later DLCs were a great addition to the game, providing a solid prequel to the invents in the main game.
But the developers decided to go even further and develop a sequel and then also plan a year worth of DLCs for it. Which is the main reason I have not reviewed the game up until now – I don’t like playing “unfinished” story-heavy games. But now that it is finished, I have to say that the sequel is considerably less fun than the original game, but is still really good.
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Thoughts on: Mafia: The Old Country
Well, Hangar 13 has finally had a chance to make a proper new Mafia game again. While it seems that Mafia III had its fans, I found it to be terribly boring and having barely anything to do with Mafia in structure, tone, storytelling or anything else. Then was the remake of the original game, awkwardly named Mafia: Definitive Edition, that was certainly not “definitive”, but a very good attempt at a remake of a classic, that was even better in some ways. But still, it was a remake of an already great game, so not original or new. And now Mafia: The Old Country – a story set decades before the first game in Sicily, a fresh setting and an attempt to tell something new. They certainly tried with this one, that I can’t help but respect, but the results are not as exciting as one would have hoped.
O tempora: Heretic + Hexen
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Just as it was the case with the original Doom titles, I’ve only played a little of Heretic in the 90s. My proper “formative” FPS experiences, I suppose I can call them that, happened later with Duke Nukem 3D and Half-Life. And for one reason or the other, I never had much desire to revisit the “Doom clones” from Raven Software, even as they became the “reliable mid-budget game developers” during the 2000s and 2010s, before being completely absorbed by Activision and turned into another machine to pump out Call of Duty content. Plus, I’ve heard horror stories about the level design of Hexen, so I wasn’t really keen to experience that either.
But, in what appears to have become a yearly tradition, Nightdive Studios have created yet another remastered release of the classic FPS titles that are running on some version of id Tech – Heretic + Hexen. “As you remember them” collection of both titles, both of their expansions and with two new expansions on top. And I’ve decided that it was finally time to experience what if Doom was fantasy.
In love with: Metal Gear Solid Δ: Snake Eater
Half a year ago I was revisiting the Metal Gear series with the Master Collection Vol. 1 that is now finally in a good state, and was pleasantly surprised by my experience with MGS3. Up until that playthrough, I had more respect for the entry than love and have far preferred the first and the second games. But the replay has shown Snake Eater in a new light to me, which was one of the main reasons I’ve decided to grab Metal Gear Solid Δ (Delta): Snake Eater. At the end of that previous review I wondered if Delta will be the better way to experience the game. And now I can definitively say – yes.
Quick thoughts on: Indiana Jones and the Great Circle: The Order of Giants
It’s been almost a year since the release of Indiana Jones and the Great Circle. A game that I liked a lot, but also felt like it was a bit too long and too ambitious and in the end didn’t quite scratch the same itch as the classic The Chronicles of Riddick: Escape from Butcher Bay. And as the time went by, I found myself rarely remembering the title, which was a bit sad to realize. Nonetheless, it was and still is a unique game for modern gaming market, so I was still looking forward for its only announced DLC – The Order of Giants. This DLC is finally out and… it’s fine. And also somewhat pointless.
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Thoughts on: Gears of War: Reloaded (campaign only)
Gears of War was quite an influential and important release. It paved the way for the cover-based shooters (while itself being influenced by Resident Evil 4), continued the popularity of cooperative titles while also fortifying the popularity of Xbox as the main console for multiplayer gaming. It became one of the main reasons for Unreal Engine 3 dominance during its era and turned Epic Games from a cool tech company popular mostly with PC multiplayer people into a household name. And is also a game I never particularly cared about. I played it in 2007 when it got ported to PC and found it to be quite tedious and, quite frankly, hideously ugly. After which I have proceeded to ignore the franchise right up until Gears 5, which I did play and enjoy. But it’s not like I was not curious about the other entries or even revisiting the original eventually, so I’m glad that a much better option now exists with Gears of War: Reloaded. A game that still uses Unreal Engine 3, but runs well on modern hardware and doesn’t look disgustingly greyish brown.
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O tempora: Gex Trilogy
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
My taste in platformers is something some consider unnatural. Despite growing during the era when platforming games of many variations were the dominant genre of games, there were not that many I actually liked. Mario games? Nope. Sonic games? Kinda, but not really my thing. Mega Man? Nah. Classic Castlevania titles? Also no. I admire and respect a lot of entries in those series, but the closer it gets to being just a platformer or action platformer, the less likely I am to enjoy the game, usually. Especially with 2D ones. Exploration focused games, like so called “metroidvanias” I do love. But if it’s just about jumping or jumping and shooting, especially if the game is supposed to be challenging – not for me.
And while there are a lot more 3D platformers that I like, it’s not a gigantic list as well. It lacks Mario, for example. But it does include Gex: Enter the Gecko – a game I have considered to be my favorite 3D platformer for the longest time. So when this game, as part of the “whole” “Trilogy” of Gex games was announced to be re-released, I was super excited. It didn’t need to be a remaster or a remake, just a very good re-release (emulated or not) of the original titles. Gex Trilogy is not quite there, though I’m still happy it exists.
Happy about: Caput Mortum
Imagine the look of an early 2000s horror themed FPS mixed with elements of King’s Field and Penumbra, all wrapped in influences of Call of Cthulhu: Dark Corners of the Earth, with a pinch of mood of Arx Fatalis and Clive Barker’s Undying. This is a lot of references, but the idea here is that Caput Mortum is a freshly released horror themed action adventure game, but it feels like it could come out back in 2003 and feel right at home there. I mean it in the best sense. And while the game is quite short, it uses its runtime exceptionally well.
Happy about: Herdling
With how many times I’ve seen games going for a moody games about a journey that feature no words over the decades, all I want from them is to just know what they want to do and when to stop. Starting from cinematic platformers of the early 90s and evolving through Ico and Journey, we’ve seen this approach taken so many times. All of the games like this are pretty and atmospheric, but they might focus on different aspects and mechanics. In case of Herdling – it’s about herding cute wooly cattle-like creatures on a journey from a city into the mountains and helping them avoid dangers. It lacks traditional puzzles, doesn’t really have a lot of “challenge”, has some optional exploration at times, but is mostly about moving forward. And it knows what it wants to do and when to stop.