Sonic Generations from 2011 was a solid game, elevated by the almost consistent failures of other entries in the Sonic franchise. As despite some positivity with Sonic Colours and even early positive reactions to Sonic 4: Episode I (which became quite disliked in retrospect), Sonic as a series was in a pretty bad spot. In 2024 the situation has changed quite a lot as while there’s still a lot of criticism directed to first party developed Sonic titles, fans finally got some great entries as well – Sonic Mania (2017) possibly being the biggest highlight. Sonic X Shadow Generations is an expanded and enhanced version of Sonic Generations that contains the original game with some updates and changes and a completely new game called Shadow Generations. And as such, it provides a look at what people called a good Sonic game in 2011 and what might be considered a good Sonic game in 2024.
Tag: game review
Thoughts on: Sorry We’re Closed
With the wave of true classic survival horror revival that’s been happening over the past five or so years, I’ve always been more excited about games that don’t just copy the existing formula but try to do something different with it. Yet, most of the attempts at doing that so far have been quite poor, usually due to the relative inexperience of the developers preventing them from realizing their big ambitious ideas. Sorry We’re Closed gets very close to doing things well. But it doesn’t stick the landing.
Ugly duckling: The Thing: Remastered
The Thing originally came out in 2002 and was one of several odd “games that were kind of official sequels to movies that didn’t get sequels”. It was sometimes done really well, as it happened with TRON 2.0, which is arguably a more interesting sequel than the actual sequel that followed less than a decade later. The Thing was not done well, but then again – neither was the prequel released in 2011. I have played this game on PC back when it just released and while I didn’t find it great, it held huge promise. A lot of its core mechanical ideas could support the paranoia driven action horror gameplay… it’s just that they didn’t in practice. Then I revisited the game about 13 years ago or so and my opinion on it hasn’t changed much. Now with The Thing: Remastered being the best this game ever could be (without being a different game entirely) I can safely say – it’s not a good game and could not be. But that promise I saw years ago is still there.
Thoughts on: Mouthwashing
Due to the abundance of story exploration games or “kinda adventure games but not really”, it’s very rare I bother playing any of them unless their story or presentation or anything else really grab me. When I first saw the store page for Mouthwashing, I dismissed it immediately and wouldn’t have considered playing it if not for catching a few streams of other people going through the game. Which has shown that this game has very strong writing and presentation that might be worth checking out for myself, even though I have, essentially, spoiled the story for myself with those streams. And you know what – it was still worth it. Even if, the more this game tries to be an adventure game, the worse it gets. And it’s published by russians.
O tempora: Half-Life 2 (20th Anniversary)
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
For how influential, important and beloved Half-Life 2 is, I always struggled replaying it. I’d start, go through several opening chapters in a blink of an eye, loving every second of it and then stop somewhere in the middle of Ravenholm or right after. I dunno, the original Half-Life, despite also having weaker segments, always felt more exciting to me overall… Not that I disliked HL2 – I still felt that it was a great game, just, not quite as good as the first one. Which is funny, because at the same time I did love Episode Two a lot and even though it had horrible grindy achievements, first game to add them back in the day, I did all of them.
Except, it’s been around 14 years since I’ve played them last time. And after revisiting the original Half-Life with its expansions and later the fan remake Black Mesa, I was meaning to revisit the sequel as well. What stopped me was the state of the game – HL2 has been somewhat broken for years, having lots of visual issues and some logic bugs too. In 2023 Valve has brought a fantastic update to the original Half-Life, which got me excited about the possibility of getting the same treatment for Half-Life 2. And now that the 20th Anniversary update is out, I’ve decided to finally revisit the game and both Episodes, as they are now part of the same package.
Thoughts on: Nightmare House: The Original Mod
One of the main reasons In Sound Mind was such a pleasant surprise to me a few years ago was because I heard it was from the team who made Nightmare House. In my memory, Nightmare House was a very annoying jump scare Half-Life 2 mod that was of the same obnoxious horror design mentality as something like Cry of Fear. But then, I saw a lot of people speak of that mod with genuine admiration and it popped up in different conversations described as one of the best single-player Source mods of all time… As I’ve come to learn, what I was thinking is the original Nightmare House, while what people love is Nightmare House 2.
Which is where Nightmare House: The Original Mod comes in to clear things up a bit. Released as a free game on Steam, partially to promote the development of a complete remake of this mod, this game combines both of the original Nightmare House mods into one experience. With the original mod serving as a “Prologue” and the praised Nightmare House 2 taking up the most of your playtime. As far as I’m aware, apart from many quality of life tweaks allowed by a standalone release, both mods are presented almost exactly as is with only minor changes.
In love with: Slitterhead
Right from its initial announcement, Slitterhead was promising to be something special. The first title from a new studio formed by some of the key personnel who previously headed the original Silent Hill, the Siren series and Gravity Rush series had very little chance of being a “typical” game. I expected it to be at least a little bit jank and sometimes frustrating – and it is, – but I also expected to be amazed and excited. And I was. So while I can safely assume, Slitterhead might not “click” with a large amount of players, it is something to be experienced nonetheless.
Happy about: Indiana Jones and the Great Circle
Back in 2009 MachineGames was formed by people who decided to leave Starbreeze Studios after completing work on The Chronicles of Riddick: Assault on Dark Athena – a good expanded version of the already fantastic Escape from Butcher Bay they’ve worked on 5 years prior. The title, that remains one of the best examples of a movie license game, was an incredible mix of different genres and somewhat of an “immersive sim-lite” and managed to perfectly replicate the mood and the style of Riddick movies in an interactive form. However, as MachineGames they’ve worked on titles that were a bit more conventional. While Wolfenstein: The New Order (and The Old Blood to a degree) had its share of curious and unorthodox decisions for an FPS game, it was still a more or less straightforward FPS. While Wolfenstein II: The New Colossus and Wolfenstein: Youngblood were showing them going an even more conventional and boring route, including a lot of very generic live service and looter shooter elements into the game.
Indiana Jones and the Great Circle was meant to be different. An unofficial return to the ideas of Riddick and The Darkness, of sorts. And while it doesn’t stick the landing, it mostly gets there.
Happy about: OneShot: World Machine Edition
OneShot has been originally released about 10 years ago as a freeware game made with RPG Maker 2003. It continued the wave of the games that were designed to provide experience inside and outside of the game window, like creating new files on player computer and changing the wallpaper, like it was already done in other well known titles like IMSCARED. And its biggest gimmick was in the title – you only had one shot at finishing the game. If you did something incorrectly, the game would become permanently unwinnable and you also could not replay the game from the start once you’ve finished it. Well… in theory – in reality you could make it work again, but the concept was still bold and the tone of the game was hopeful, but bleak and horror themed.
Then two years later a commercial version of the game was released, that started moving away from the whole “One shot at it” concept, but had even more crazy fourth wall breaking shenanigans and a bigger game world with more characters. Another year later, a “true ending” path was added as a big update to said version that I personally had a lot of problems with back when I reviewed the game. Fast forward to 2022, World Machine Edition got released on consoles, recreating all of the fourth wall breaking experiences within a virtual Operating System and adding some additional details and switching a lot of the backend elements of the title. And now, in 2024, this version has arrived to PCs.
Thoughts on: Death of the Reprobate
Well, I guess we got another painting-based Terry Gilliam-like animation game from Joe Richardson. Seven years after the funny Four Last Things and four years after the incredibly inventive The Procession to Calvary. It’s still silly, funny, visually clever and kinda fun. But this time it also seems somewhat unnecessary, a fact that the game itself acknowledges.