game review – Page 2

Thoughts on: Hebereke Enjoy Edition and Gimmick! Special Edition

24/09/2024 24/09/2024

A lot of people have nostalgy for games from Sunsoft and I can see why. However, for me it was never the case. I did play Blaster Master and perhaps Batman on NES a bit as a kid, but the only game of theirs I’ve played a lot was their PS1 Hard Edge/T.R.A.G. (which I do love). So, seeing the company return to making games recently and re-releasing their old classics on their own or through other companies wasn’t a big deal to me. I was curious, however, since some of their games are considered cult classics.

Two of such titles were re-released over the past two years in the new format that emulates the original NES game, but with cool quality of life editions and bonuses. These are Hebereke Enjoy Edition (known as Ufouria: The Saga in the European and Australasian release on NES) and Gimmick! Special Edition (also known as Mr. Gimmick in Scandinavian NES release). Which I was glad to finally play, because I don’t ever want to play them again.

Thoughts on: Sylvio: Black Waters

18/09/2024 18/09/2024

About 9 years ago a very unique and underappreciated game by the name of Sylvio was released. It dealt with a really curious concept of EVP – Electronic Voice Phenomena and made for a really cool and creepy ghost horror adventure with light combat mechanics. It had just the right amount of ambition for the one-person development team at Stroboskop, so while it was somewhat ugly looking and had lots of minor frustrating issues and bugs, the experience was unlike any other so the game was worth playing anyway. The game was to be followed up by an equally ambitious sequel that would move EVP research from audio to video, but, sadly, the Kickstarter campaign to support the development failed. Sylvio 2 that we got two years later was simplified in most ways in comparison to the original and while it still had cool ideas (and one of its sequences with spectrograms still gives me nightmares), it was somewhat disappointing. A few years after the release of Sylvio 2, the developer decided to stop making games.

However, the rise of the “Haunted PS1 Demo Disc” and “Dread X Collection” communities, releasing short form horror titles, got Stroboskop excited again and after participating in Dread X Collection 5 with the short title “Karao”, they’ve decided to return to bigger games with this new release of Sylvio: Black Waters. Which I’m very happy about… yet I can’t say that the resulting game is very good.

In love with: Kunitsu-Gami: Path of the Goddess

12/09/2024 12/09/2024

Kunitsu-Gami: Path of the Goddess is not a game that I could call revolutionary or innovative. It is a very curious mix of hack and slash action game with a tower defense strategy and I haven’t seen it done quite like this before. But definitely not revolutionary. And yet, I can’t help but love this project and wish to see more huge development companies and corporations learn from it. No, not from the mix of genres, but rather from the approach this game takes. You see – this is very much a “AA game”, made by “AAA” standards, which is something you used to see all of the time back in the late 90s-early 00s, but which doesn’t really happen anymore. And playing this game reminded me of how much are we all missing out with the current gaming market trends.

Thoughts on: Prince of Persia: The Lost Crown

05/09/2024 05/09/2024

I’ve been interested in the Prince of Persia series since experiencing the original game as a kid. And it’s hard to downplay the its influence on platforming games, both in 2D and 3D. The original (that hopefully may get the “The Making of Karateka” treatment someday, along with the sequel) established the methodical and precarious cinematic platforming that shaped the early platforming focused 3D action adventure games, most notably Tomb Raider. While Sands of Time established a new standard for 3D action adventuring, that can still be felt even in the recent releases. But the current rights holder of the series, Ubisoft, haven’t made any new Prince of Persia games for over a decade, with the last release being The Forgotten Sands in 2010 (a ironically titled game that is quite good, but, indeed, often forgotten). Instead, they focused on the franchise that began its life as a next Prince of Persia game – Assassin’s Creed.

Or at least they did until 2023, when Prince of Persia: The Lost Crown was announced. A completely new game that is going back to 2D platforming, but this time with a metroidvania-style world design, like in Warrior Within and PoP 2008. I was very excited about it, waited out the half a year of timed exclusivity on PC for EGS and… This was one of the most miserable experiences I’ve had in a while. And if not for the Prince of Persia title, I would’ve stopped playing pretty early on. That said, I won’t be surprised if there will be people with a mostly opposite experience to mine. A difference that will boil down to a simple question – do you like precision platformers?

Thoughts on: Trepang2

30/08/2024 30/08/2024

When I’ve first caught wind of Trepang2 it looked like a really cool project – an FPS that’s attempting to recreate the explosive style of F.E.A.R. and Criterion Games’ Black from PS2, but with some of the more modern ideas thrown in? Sign me the hell up! Yet, when I’ve played the demo of the game, I found it to be… Well, sure – still explosive and stylish. But really boring, uninspired and with some of the worst level design I’ve seen in a major release FPS in a while. So, I’ve decided to ignore the game and would’ve continued to do so if not for some of the people I know, who said that the game was better than my initial impressions told me it is. And now that I’ve completed it, in its fully DLC’ed up version, I can say with confidence that my initial thoughts were spot on.

In love with: Withering Rooms

21/08/2024 21/08/2024

Withering Rooms is the kind of game you don’t get every day. Back when the title was still in Early Access, one of the ways the developer described this game was somewhere along the lines of “If Clock Tower was an action RPG”. Which… fits and, even more surprisingly, works incredibly well. This game is so strange, yet so fascinating and inventive. Its influences are recognizable, yet its mood is immaculate… And while I didn’t enjoy every second of the game and do find faults with some of its aspects, it was also one of the most inspiring gaming experiences I’ve had in quite a while.

Thoughts on: Like a Dragon: Infinite Wealth

16/08/2024 16/08/2024

Another year, another Like a Dragon game. It’s been this way for a while now, to be fair, and playing these titles is not tiring, even if a bit routine. Yet I can’t help but feel that the RGG team itself is starting to get tired and for all of the cool ideas and elements they put in these games, they might be dreaming to make a bunch of non-Like a Dragon games instead.

Infinite Wealth, or Like a Dragon 8, is the second jRPG entry in the series so far, focusing on party turn based combat instead of beat ’em up gameplay. And while it has a lot of really cool things and quality of life improvements over the Yakuza: Like a Dragon, I can’t say that I’ve enjoyed it much.

Happy about: Remnant: From the Ashes (Complete Edition)

03/08/2024 01/10/2024

I have to give it to Gunfire Games – they seem to be a highly adaptable studio. Founded in 2014 by parts of the team who worked on Darksiders franchise in the by then defunct Vigil Games, I’m sure their original desire was to immediately go into creating Darksiders III. But they’ve adapted to the realities of the market and to built portfolio and keep the studio alive created several VR projects for the then booming initial wave of VR popularity brought in by Oculus Rift. One of which was called Chronos that played like a tough hack and slash inspired by Souls-like games and featured a setting that included both fantasy and post-apocalyptic Earth imagery, which they’ve already played with a lot for Darksiders. This also allowed them to get better acquainted with Unreal Engine 4 which they then used to create a visually beautiful (but incredibly frustrating and unfun) Darksiders III. And to follow that project up, they’ve seemingly decided to experiment with the third person shooting mechanics (as one of the Horseman – Strife, – is a gun user) while reusing a lot of the resources they’ve managed to create up until that point and created a genuinely clever mix of different genres – Remnant: From the Ashes. That also served as a sequel to Chronos (later to be re-released for flat screens as Chronos: Before the Ashes).

And it is really bizarre how they’ve seemingly just experimented and scrambled a bunch of ideas together from what they had on a rather low budget only to create their best game up until that point.

O tempora: Kanon

28/07/2024 02/10/2024

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

I’m not much of a fan of visual novels and barely ever play them. I tend to prefer adventure game titles, so even if the VN-part of the game is still there, it’s not the focus is instead the game just uses the format to drive the story forward, while emphasizing choices and actions you make. Nonetheless, back in 2007 or so I got curious about Kanon, a game that at the time never had an official version released outside of Japan. And also a game that in most (if not all) PC versions was an eroge. I don’t remember why exactly I got interested in playing it, most likely a combination of hearing that the story was pretty good and also seeing the “ugu~” jokes/references on the internet. Though, remembering myself at the time, I won’t completely discount horny interest too. But point was – I did get the game via dubious means and played it with a fan translation. While very simple, it did click with me, so much in fact that I decided to then also watch both anime adaptations of the game.

Now, the game is finally officially available internationally on PC 25 years since its original release. And I had to replay it and see how I feel about it today.

Happy about: Riven (2024)

22/07/2024 22/07/2024

It was two years ago that I’ve finally played Myst from start to finish for the first time. After decades of attempts to “get it”, the game clicked with me, most likely due to the direct controls that made playing it far more convenient than the classic screen by screen navigation. And while its The Chronicles of Amber inspired story didn’t grab me that much, the constant sense of discovery in that game as the main aspect of its puzzles certainly did. Hence why I was very excited to learn that Riven: The Sequel to Myst was getting a similar treatment as well, so I could finally understand how people in Rivne live with all of these puzzles around… Sorry, couldn’t help myself.

Anyway, the Riven remake is out and, from what I’ve checked in video form after completing it, quite different from how the game used to be originally. So, I suppose, I will never know if I like the original game, but I definitely enjoyed this one.

Read more“Happy about: Riven (2024)”