In love with: La-Mulana 2

It seems forever ago now that I’ve first played and fell in love with the original (technically, the remake) La-Mulana, even though it’s only been 5 years. The original “Archaeological Ruin Exploration Action Game” was a very unique, even for today, approach to exploration-focused platformer titles, borrowing heavily from unknown in the west The Maze of Galious. Despite having a lot of similarities to the “metroidvania” games, it focused much more heavily on puzzles that could go from covering just the room you are in to the entire game world and required you to pay close attention to the details you see. It had a lot of unique and fun elements to it, but it was also often infuriatingly obtuse with puzzle design, sometimes requiring you to not just think outside the box, but realize that you might be in the box, visualize it on paper, then translate it into some invented language and then find a way how to think outside of it.

When the Kickstarter project for La-Mulana 2 appeared in 2014 one of the biggest promises was to keep all the excitement of the exploration, puzzles, challenge and sense of adventure intact, but also improve on those frustrating elements, that were originally intentionally done in such an annoying manner to emulate the design of games from the MSX. After throwing my money at the screen and waiting for 4 years, I’ve decided to wait a few more months until the first few patches were released to iron out most of the issues. And finally, I was able to get into La-Mulana 2. 42 hours later…

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Thoughts on: Darksiders II Deathinitive Edition

After revisiting the remaster of the first Darksiders, it was time to revisit the remaster of the second game (that was actually released before the remaster of first). It was curious to see how the developers wanted to expand the universe they’ve introduced us to in the first game and make some really curious and somewhat innovative changes to the gameplay again and the ideas put into the remastered version were pretty great as well. Though, sadly, the game, especially in this version, is also somewhat of a glitchy mess.

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Thoughts on: Darksiders Warmastered Edition

Back in 2010 when the original Darksiders was released it wasn’t something I was too excited about. While it did have the 3D Legend of Zelda gameplay clearly inspired by another Zelda-like series of the past Legacy of Kain, and LoK is one of my favorite series. And it did mix that with more Devil May Cry-ish elements to focus the gameplay more on solid action, rather than puzzles, and I do like DMC. And it did have a very distinct style, with a very comic book meets action figure meets Blizzard design meets whatever else, that looked pleasing. All of that somehow didn’t click for me as much as I hoped it would. But I did enjoy the game. Did I enjoy returning to it in this remastered version? Well…

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In love with: Yakuza 0

While Yakuza series have been around for a while now, I never had a chance to check them out because of not owning the platforms the games were exclusive to. So they just remained the series people love to talk about and praise, but something that I’ve not experienced for myself, nor knew how exactly it plays. With the recent release of Yakuza 0 on PC I finally had a chance to experience the series for myself. And… wow. I mean. Wow.

WOW, BREAKIN’ THE LAAAAAW BREAKING THE WOOOORLD kowasee~

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Revisiting Mass Effect 3 (with DLCs)

It’s easy to imagine how much pressure BioWare was under as they were making the closing act of the Mass Effect trilogy after the success of the previous two entries. With the first game they’ve established the universe, with the second they’ve refined the gameplay and characters. Third game was supposed to somehow top this and bring the story to a closure. And that’s where they faltered, got confused about how all of this should end. After the incredible scope of Mass Effect and stylish cinematic action of Mass Effect 2, Mass Effect 3 had an identity crisis that it couldn’t quite resolve.

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Thoughts on: Kona

Kona is somewhat difficult to describe, to fit in a more or less defined description, which is partially due to what interesting things it tries to do and be many things at once, and partially due to how it mostly fails at being good at anything it tries to be. It’s a story exploration game, it’s an adventure game, it’s a survival game and thematically it’s a bit horror, a bit of a murder mystery and a bit of a folk tale. It heavily borrows ideas and elements from other titles, but at the same time tries to be a thing of its own. And I want to like it, because it’s very much not a bad game, but I can’t.

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Thoughts on: Torment: Tides of Numenera

Planescape: Torment is often praised as being one of the most amazing and engrossing story-driven cRPGs out there. And for a good reason. So it is often expected to see games try revisiting or sometimes outright emulating the ideas from said game. When you call your game “Torment”, with just the subtitle mentioning the tabletop RPG system and setting, perhaps you’re being a bit too on the nose with your influences. Is the game itself reliant on the game it references or does it feel unique and good on its own? Perhaps, it’s a bit of both.

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Revisiting Mass Effect 2 (with DLCs)

Mass Effect was incredibly ambitious – huge emphasis on exploring space, an epic yet personal choice and character driven story, third person combat that tries to also be a complex action RPG. All on the scale never done before and rarely tried after. Mass Effect 2 is ambitious in a very different way. Instead of going so big and grand, it tries to go simple and detailed. It simplifies most of the things and focuses only on what it can do well, and then does it exceptionally well. Going straight from the first game into the second one feels weird – the sequel feels so different, yet, somehow, so right.

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Revisiting Mass Effect

Yes, it has been more than 10 years already, hard to believe as it may be, since Mass Effect was originally released. First exclusively on Xbox 360, then, half a year later on PC (PS3 version didn’t come until 2012, though). Despite BioWare setting a new example, a new milestone in how to make story driven RPGs with almost every game prior to this one, it was Mass Effect specifically that became a template for so many games to follow. A cinematic, character and story driven, action and dialogue focused RPG that tried to please varied audience on different platforms without compromising on its values. A game so fresh, yet so distinctively BioWare.

Playing it today on PC it’s easy to see why it was loved and why other games tried to copy it. Also easy to notice things that hasn’t aged well or were not good in the first place.

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