Happy about: Dead Island 2 (with DLCs)

The original Dead Island from Techland had a somewhat difficult development, but became an odd success when it was finally released in 2011. Its often unintentionally funny coop was the secret sauce for that period of games when the cooperative titles were extremely popular. While its often mediocre quest and level design and simplistic and grindy action RPG/looter shooter mechanics were often excused. It also allowed for melee combat using the analogue sticks, had some systemic elements, ability to drive cars and its story, despite being boring, actually acknowledged all playable characters even if you were to play solo – something that Borderlands wasn’t doing yet. But despite me being somewhat positive about the game over a decade ago, I couldn’t even bother to finish its standalone expansion Riptide, let alone ever replay it.

Techland moved on to create a potentially more interesting franchise with Dying Light, but I didn’t like those either. All while Dead Island 2 went into development hell, switching developers and being remade from scratch several times. But it has been released last year and all of its previously announced DLCs are out as well, so I’ve decided to give it a go. To my surprise, it turned out to be quite entertaining, if you know what to expect.

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Happy about: Crow Country

We seem to be in the middle of survival horror revival period, with both high profile and niche indie titles revisiting this niche subgenre of action adventure games. There have been some great titles released over the past 7 years and quite a few solid ones. But there’ve also been some stinkers and a few titles that cared more about the aesthetics of the genre, not its design. From the early previews and the demo, I expected Crow Country to land among the latter. Thankfully, the game turned out to be considerably better than that.

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O tempora: Teenage Mutant Ninja Turtles: The Cowabunga Collection

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

While I suck at fighting games and (to a lesser extent) beat em ups, I grew during the era when they were The Coolest Thing Ever. A local arcade, and I’m still surprised we had one after the crapshow that was Soviet Union, had cabinets with Street Fighter II, Mortal Kombat, Streets of Rage II, Vendetta (Crime Fighters II) and, of course, Teenage Mutant Ninja Turtles. And all of the NES clones came preloaded with X games in one packages where at least one of the classic TMNT games would be included. The TMNT animated series from the 80s were also all the rage and so was the first live action movie. Heck, as a child I even liked the second one.

But it’s been decades, TMNT is no longer as popular as it used to be (though still quite liked), Konami stopped making good games and then any games (and are quite disliked). Curiously, the same year as this Cowabunga Collection released, a genuinely fun new game inspired by the titles from the collection was released – Teenage Mutant Ninja Turtles: Shredder’s Revenge. So, while game preservation is really important, would there be a reason for people who didn’t grow up on the titles from this collection to check it out?

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O tempora: Tomb Raider I-III Remastered

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

I’ve been meaning to replay the classic Tomb Raider games for years now. I could – I own the PC versions on GOG and while there are some nuances about running them on modern systems, those ports are solid. But I never had time or desire, as all Tomb Raider games are quite long and slow. I used to love The Last Revelation and quite enjoyed most of Chronicles and played them a lot as a teen. But the first three? I’ve never properly finished the first, stopped playing the second at around midpoint and remembered next to nothing about the third, despite completing it decades ago. There were also three PC exclusive expansions – Unfinished Business, Golden Mask and The Lost Artefact for the 1st, 2nd and 3rd games respectively that I never even saw.

With the release of Tomb Raider I-III Remastered (Starring Lara Croft), I couldn’t delay this any further. A definitive package of the three games I was least familiar with, with the mentioned expansions and a bunch of quality of life and visual upgrades? Sign me up. A entire month of playing them later I can finally share what I think of the collection and the games themselves.

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Happy about: Snufkin: Melody of Moominvalley

Even if you didn’t read the stories or watch any of the adaptations, it seems almost impossible to not be aware of the Moomins and their visual designs, both created by the Finnish writer and illustrator Tove Jansson. Yet, there haven’t been that many videogame adaptations of the series and those that existed seem to have been exclusive to either Finnish or Japanese market. As such, Snufkin: Melody of Moominvalley might be the first videogame adaptation of Moomins to release internationally and on several modern platforms. It is a very very simple game, but also a very very charming one.

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Happy about: Death Stranding Director’s Cut

When Death Stranding was first announced, no gameplay was shown, so no one knew what to think of the game. When the game was finally released in 2019 and you could play it, it was still hard to understand what this game is. A delivery person simulator in a post apocalyptic world with horror and sci-fi story, action adventure gameplay with stealth, light survival game mechanics and crafting in an open world? Huh? …Is it fun? This question will not be possible to answer until at least a few hours into the game, as it takes a while before you start getting into the pace it establishes and understanding if you like whatever this is or not. I think, I really liked it. But it also took me over 80 hours to finish it and have this answer.

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Happy about: Arzette: The Jewel of Faramore

Memes – that was the legacy of the infamous Nintendo licensed Zelda titles on the Philips CD-i. Not surprising, really, since both Link: The Faces of Evil and Zelda: The Wand of Gamelon were not very good games. But they did have bizarre and unconventional visual style, especially for their animated cutscenes, all of which became a popular source of the “YouTube poop” videos that used to be insanely popular in the late 2000s. So it’s interesting, how many people grew up knowing these titles, without ever playing them. Back in 2020 Seth Fulkerson (also known as Dopply) created unofficial remasters of both games running on GameMaker and featuring a lot of improvements that turned those titles into something that was at least playable and less frustrating. Those remasters, for legal reasons, are not available anymore so instead Dopply decided to create a game that would serve as a spiritual successor to those bizarre titles. And in doing so, managed to create a game that is genuinely enjoyable.

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Happy about: Timespinner

While I love good exploration focused metroidvania titles and Timespinner is one of them, I have not played it until now, more than 5 years since it was released. I don’t even remember what made me doubt it’s worth playing. Maybe reviews that mentioned really poor writing (which turned out to be true, as I’ll cover later). Maybe the amount of metroidvania titles that started going into hard combat focus and all of the still popular “souls-like” elements, something I usually dislike, and I didn’t trust this game to not go that way. Either way, it wasn’t until after the sequel to this game was announced that I’ve decided to give it another look. And wasn’t until I heard someone describe it as “indie Castlevania: Order of Ecclesia” that I got really curious. Either way, I’m glad that I did.

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Happy about: Hi-Fi Rush

Hi-Fi Rush is a curious attempt at mixing a hack and slash action adventure in the style of Devil May Cry with a rhythm game. It was surprise released at the start of 2023 by Tango Gameworks, with the game project being directed by the same director, who previously managed the wonderful The Evil Within 2. And while I love the game’s style and energy, they are the main reason I’ve enjoyed it. Often in spite of the gameplay, not because of it.

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Happy about: Like a Dragon Gaiden: The Man Who Erased His Name

Weird how I seem to be playing Like a Dragon games more often than I’ve ever played the typical Ubisoft games, but the burnout is far less noticeable… Seriously, though, RGG Studio has been putting out games set in this universe not just annually lately, but often with several games coming out the same year. And in situations like with this game, I’m not sure if there was the point. Not that I disliked Like a Dragon Gaiden, quite the opposite, but it does feel almost unnecessary at points…

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