It’s been slightly more than 2 years since I’ve played and thoroughly enjoyed HITMAN (2016) in its GOTY version and since the updates for HITMAN 2 are finally quieting down I decided that it was time to give it a go as well. Originally intended to be a “Season 2” of a grand always updating title, Hitman 2 (I’ll stop using the intended all caps, but I’m not talking about the Silent Assassin from 2002) is a standalone game. Yet, it retained most of what was originally intended since you can add all of the mission content from the 2016 game to it, with some omissions (like Elusive Targets). And in its fullest form, with expansions and the content from the previous title, Hitman 2 is easily the best game in the series to date. But with the same issues as the previous game that need mentioning.
Tag: Highly recommended
In love with: Disco Elysium
I think pretty much anyone I know who loves good stories mentioned Disco Elysium to me at least once since it’s release a few months ago. By the time of me writing this, the game has received several awards for its storytelling and yet, I find it a bit hard to explain what Disco Elysium is. The comparisons with Planescape: Torment are unavoidable, for example, yet this game feels almost completely different to play. What I can say quite easily, however, is that Disco Elysium is a really good game and an unforgettable experience.
In love with: DUSK
I’ve always loved the mid-90s FPS titles, especially ones made on the Build engine. They had a perfect mix of exploration in fun levels, cool weapons and enemies to use them on, number of encounters per level balanced just right so action doesn’t get stale and almost always had kickass tunes. My recent revisit of Blood was a wonderful reminder of how fun those games could get. And after years of FPS games, and shooters in general, going in a very linear, very “cinematic” direction we’ve seen a revitalization of that old 90s approach in recent years. Some of them were disappointing, some leaned too heavy into base mechanics, forgetting about the importance of hand crafted levels, some were pretty okay. DUSK, though, ever since the first Early Access builds, attracted exclusively positive buzz around it. So I was understandably curious, yet, due to all those disappointments, still somewhat cautious.
But now I’ve played the game. And holy fucking shit it’s amazing.
In love with: Katamari Damacy REROLL
Na naaaa nanana nana nanaa…
Katamari Damacy is one of those wonderful joyful toy-like experiences for all ages that don’t appear as often as I’d personally love to see. And my only huge complaint with this remaster would probably only boil down to – why not pack it with We ♥ Katamari for even more bizarre and fun ball rolling goodness?
O tempora: Planescape: Torment: Enhanced Edition
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
When I started this revisit of Infinity Engine titles I was intentionally going out of order of release. I started with the IWD series, which I never particularly cared about and then went with Baldur’s Gate games which I like a lot, but I was saving my favorite for the last. I was slightly nervous, since it has been a while since I’ve replayed Planescape: Torment. And since when I played Torment: Tides of Numenera last year I compared it quite unfavorably to its biggest inspiration. What if my memories were a bit too rosy and the game didn’t age as well as I expected?
Nah, it’s still fantastic, Enhanced Edition or not.
In love with: killer7 (on PC)
Writing about something like killer7 new PC port is a bit weird. On one hand, this is very much a revisit of a game from 2005, originally on GameCube and PlayStation 2, that I have played (though never finished) back in the day. Making this a bit of a retrospective post, like my O tempora series. Yet at the same time, this new PC port of the game, despite not bringing big changes, can play so much differently, that it’s hard not to approach it as if it was a new game entirely. So I will try to look at the game from both perspectives – as a replay of a cult classic game from 14 years ago, and as a completely new title you might’ve never heard before and might want to check out. May the lord smile and the devil have mercy.
In love with: Resident Evil 2 (2019)
After the release of Resident Evil 1 remake in 2002 (colloquially called REmake) a lot of the series fans expected to see the same treatment to the second and third game in the series on GameCube. But it was not to be and GC releases of RE2 and RE3 were slightly updated ports of the Playstation versions of the game, which left a lot of people requesting Capcom for more remakes in the following years. It was so consistent and so determined that, perhaps, only the requests for Final Fantasy VII remake were more notorious. So in 2015 after asking the community if they are still interested in seeing Resident Evil 2 remade, Capcom announced their decision with the “We do it”.
Three years have passed since that surprise announcement…
In love with: Unavowed
Dave Gilbert’s Wadjet Eye Games have come a very long way. Despite sticking to the Adventure Game Studio and its aged and hard to work with tools, they’ve managed to both create and help create some of the most refreshing and innovative point and click adventures over the past 12 years. And while they have published some good games, I always preferred Dave’s own approach to designing adventures, which often favored dialogue and good storytelling over puzzles. And Unavowed may be the most interesting take at adventure games I’ve seen since the “golden age”. Or ever.
In love with: Return of the Obra Dinn
Return of the Obra Dinn is a mystery adventure game from Lucas Pope, best known for Papers, Please. And it’s quite a unique experience.
In love with: The MISSING: J.J. Macfield and the Island of Memories
This could’ve been just another solid attempt at a gruesome puzzle platformer in the vein of LIMBO, but with a more defined and very intriguing story. But that’s not how Swery makes games, now is it? No, even when his games are full of references and clear borrowing of ideas and concepts from other games, they have so much personality to them, they feel unique. And even when his games have bizarre and somewhat comedic stories, they seem to have some sort of concept or message to tell, and it’s done in a really unforgettable way. As it happened with The Missing, the first released project from Swery’s (Hidetaka Suehiro) new studio.
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