Since I’m not trying to play every classic FPS of this new wave in the genre revival (especially since a lot of them are not good), I don’t pay attention to many of them as they pop up. HROT, though, had a curious style and a… “vibe”, I guess, that got me curious about the project back in 2021 when it was still in Early Access. Now that the full game is out and I had a chance to shotgun my way through it, I gave it a go and… It’s quite odd, but mostly in a good way.
Tag: game review
O tempora: No One Lives Forever 1 and 2
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Ah, Monolith Productions at their heyday… Not that their releases were consistently great or popular, but they’ve made some fantastic classics, most of which were powered by their own engine that was first developed for Microsoft to showcase the power of DirectX. Even though the usage of that engine began with the dreadful Blood 2 that no one should ever play, the first half of the 00s started an almost perfect set of games using that engine: The Operative: No One Lives Forever, Aliens Versus Predator 2, No One Lives Forever 2: A Spy in H.A.R.M.’s Way, Tron 2.0, F.E.A.R., Condemned: Criminal Origins were all instant classics and are still beloved and remembered by many. Three of these six titles, however, are not available anywhere digitally.
I used to love NOLF. They were among the very first games I played on my own PC back in the day and I’ve replayed them several times since. But the last revisit happened a very very long time ago – I don’t even remember when. So I decided that it was a good time to finally remember why people have such fond memories about these.
Happy about: Amnesia: The Bunker
The influence of Frictional Games on the direction horror themed games took over the past 16 years is undeniable. Their initial Penumbra tech demo from 2006 was a surprisingly fresh take on an adventure genre, with stealth and action aspects, physically-based puzzles and interactions and surprisingly solid horror atmosphere. All of which was developed further into Penumbra: Overture, the only game from the studio until now that was adhering to the pillars of the classic survival horror, focusing not only on exploration, adventure elements and stealth, but also allowing you to deal with enemies directly via combat and traps. But beginning with Penumbra: Black Plague, the team set a mission for themselves to make great narrative-driven titles and to achieve that, the survival horror mechanics had to go.
After achieving great and unexpected success with Amnesia: The Dark Descent, team followed it up with no less great SOMA. Two fantastic story-driven horror themed stealth adventure games that always prioritized good atmospheric experience over the mechanical aspects of the gameplay. Then, just over two years ago, they’ve decided to revisit the Amnesia “brand” with the incredibly mediocre Amnesia: Rebirth – a game that went really far into the narrative, but without making it particularly engaging or interesting to experience. Amnesia: The Bunker seems like a direct reaction to that as it is the return to beginning and a curious attempt to reimagine what classic survival horror gameplay could be, while staying easily recognizable.
O tempora: Persona 3 Portable
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Persona 3 FES was my first experience with the Persona sub-series of Megami Tensei franchise. I’ve started playing it about 14 years ago or so, after Persona 4 was already out and Persona 3 Portable was about to get released on PSP. And although I was enjoying its inventive mix of a life sim and tactical RPG, enhanced by a fantastic soundtrack and really stylish visuals, I got stuck on one part of the game and due to how slow (even by the standards of that time) loading was on PS2, I gave up. Later on the same thing happened with Persona 4 and it stayed that way until 2020 when an enhanced version of the latter, called Persona 4 Golden, did get remastered for PC. Despite being far longer than I’d like (especially since I tend to play jRPGs for stories rather then mechanics), playing the game was very enjoyable and I was hoping the other parts of the franchise would get ported as well. Fast forward 3 more years and we have both Persona 5 Royal (which I have just started playing) and Persona 3 Portable available on PC, so I could finally finish that playthrough I’ve started. Kinda… Because Portable version is quite a bit different with mixed results.
Happy about: System Shock (2023)
The original System Shock from 1994 was an incredibly important game. In some regards it was “Ultima Underworld in space”, and alongside its two Ultima Underworld predecessors, was an early example of a game designed around simulated systems that heavily leaned into emergent gameplay. A concept that is nowadays usually defined as an “immersive sim”. Even in this rougher form the game was great and if one can get through layers of outdated UI, controls and quality of life aspects it’s exciting even today. Especially in the Enhanced Edition version released 8 years ago by Nightdive Studios, known for their faithful and high quality restorations of older games.
That was the only way to experience the original game until now when the very same Nightdive released the remake of the game. Originally announced as a Kickstarter project around the same time as the Enhanced Edition came out, this project spent a long time in development and had several major changes in its focus. It switched engines, then it was decided to expand the scope of the project and then, when it became obvious that the plan wasn’t working, switched back to being a faithful remake of the original game. Which is exactly what we got now for better and for worse.
Quick thoughts on: Tron: Identity
Bithell Games have put out several relatively small and simple but inventive titles over the past decade. Thomas Was Alone, possibly, remains their best known, but it’s hardly an example of what they “usually do”, as there seems to be no “usual” for the team. That said, they’ve made several visual novel-ish adventure games, like the really inventive Subsurface Circular that I’ve enjoyed several years ago, and Tron: Identity fits the same general description. Except, it’s simpler to a flaw.
Ugly duckling: Jade Empire: Special Edition
I’ve played Jade Empire just once – in 2007 when it got ported to PC as Special Edition. And while I remembered liking the story, that was all I could recall about it. I’ve considered revisiting the title for quite some time, but was never in the mood up until recently. Now that I’ve replayed it, I’m not surprised I didn’t remember the gameplay – it’s not good.
O tempora: Max Payne & Max Payne 2: The Fall of Max Payne
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
I absolutely loved Max Payne when I first played it. It felt unlike any other action game out there and for years remained my golden standard for how an action game should be. It wasn’t without flaws, but it’s fantastic pace, exciting action and shockingly good storytelling far outweighed them in my eyes. Then there was also a sequel that I admired and respected for its even bigger focus on storytelling and some refinements to the gameplay mechanics. But I also didn’t enjoy the game as much. It has been a while, however, since I’ve played any of them and I wanted to see what my opinion on these classics would be today, especially with a remake announced.
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In love with: Live A Live (2022)
Live a Live (stylized as LIVE A ƎVI⅃) has been a project I’ve heard a lot throughout the years. It was a jRPG from Square released in 1994 – that’s the same year as Final Fantasy VI, a year after Secret of Mana and a year before Chrono Trigger. But, just as Seiken Densetsu 3 (later officially and wonderfully remade under the title Trials of Mana), it was originally a Japanese-only title, so a huge amount of international audience only heard about it without good means to experience it for themselves. The concept for the game sounded wild – several unrelated independent stories with unique setting and gameplay mechanics in one package. All produced by Square at the top of their game and with the soundtrack from Yoko Shimomura, who’s soundtracks for Super Mario RPG and Parasite Eve would become much beloved just a couple of years later.
Unexpectedly, last year a “HD-2D” remake of the title was announced, first exclusively for Switch and now available on more platforms including PC, so I could finally experience this unbelievably sounding title for myself. And it’s genuinely hard to put into words just how surprising the experience was.
O tempora: Silent Hill 2 (with Enhanced Edition mod)
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Continuing on with the classic Silent Hill titles, it’s time to talk about the highly revered sequel. Silent Hill 2 was quite a shocker when it was originally released, it took many people by surprise. And it is also the game that established the idea that Silent Hill games are first and foremost story-driven games simply because of how strong the story was and how many other games and also later “western-made” titles in the franchise attempted to copy it. For how much respect and admiration I have for this game… I also don’t particularly love playing it. It was the case when I first experienced it on PC in 2003 and even today, in its arguably best form with the Enhanced Edition mod I will also talk about, I still didn’t really love the act of playing this game. But is it still worth experiencing? Absolutely.
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