Disapprove: The Silver Case

A decade before gaining international recognition with killer7, Goichi Suda was writing for Human Entertainment and the games that to this day remain Japan-exclusive. After getting some fame (or infamy) with his bleak storyline for a wrestling game, he got a directorial role with the first two horror themed adventure titles in the Twilight Syndrome series. Following that, Suda51 decided to split with Human (a timely decision since the company went bankrupt a few years later) and founded Grasshopper Manufacture, the company he’s still associated with. The very first project they made? Japan-only Playstation 1 adventure/visual novel title called The Silver Case (prior to this official localisation also known as The Silver or Silver Jiken).

This was the game that fully established the recurring themes of Suda51 games, like “Kill the past”, introduced several of the recurring characters and concepts, the seemingly shared universe (it’s occasionally self-contradicting though) and other elements that can be traced even in the most recent Travis Strikes Again: No More Heroes. And it remained Japan-only until 2016 where a PC port was suddenly released, followed next year by an updated version with further enhancements and story episodes released for PS4 (and as a free update on PC). Playing this game now, 20 years since its release and being more familiar with the games Suda51 would work after is a curious experience. But not a particularly pleasant one.

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Thoughts on: Ion Fury

Of all the 90s FPS classics I’ve always loved Build engine games most, specifically Duke Nukem 3D and Blood. When Ion Fury was announced (originally as Ion Maiden), I didn’t know what to think. Reusing the old Build engine in 2019 to create a completely new game, pushing the engine to its absolute limits sounded commendable, but was it necessary? Having played the game, I’m still somewhat confused about how to feel.

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Disapprove: Call of Duty: WWII (Singleplayer)

Three years ago I decided to catch up on all the CoD games I’ve been missing out on since Black Ops II and it turned out that there were some occasional attempts at making a fun single-player campaign. The one I found most enjoyable, despite it’s dumb QTEs and the still infamous “pay respects” scene, was the Advanced Warfare entry as it had both fun gameplay elements to it and an actually good-ish story. It lacked the really creative “choose your own adventure” ideas from Black Ops II, but storytelling was solid and the characters were memorable, so I had somewhat high hopes for WWII, as it was made by the same team at Sledgehammer Games. I was extremely disappointed.

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In love with: DUSK

I’ve always loved the mid-90s FPS titles, especially ones made on the Build engine. They had a perfect mix of exploration in fun levels, cool weapons and enemies to use them on, number of encounters per level balanced just right so action doesn’t get stale and almost always had kickass tunes. My recent revisit of Blood was a wonderful reminder of how fun those games could get. And after years of FPS games, and shooters in general, going in a very linear, very “cinematic” direction we’ve seen a revitalization of that old 90s approach in recent years. Some of them were disappointing, some leaned too heavy into base mechanics, forgetting about the importance of hand crafted levels, some were pretty okay. DUSK, though, ever since the first Early Access builds, attracted exclusively positive buzz around it. So I was understandably curious, yet, due to all those disappointments, still somewhat cautious.

But now I’ve played the game. And holy fucking shit it’s amazing.

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Thoughts on: Onimusha: Warlords

While I’ve seen and heard a lot about the Onimusha series, up until now the only game in it that I’ve had a chance to play and complete was the third entry. Despite playing the rather poor PC port of it, I liked the game a lot, yet it took me this long to finally play the original, now in its remastered form with some slight (and couple major) changes. And it’s really cool. Though, more dated than I expected it to be.

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Thoughts on: Thronebreaker: The Witcher Tales

Unlike so many people, I wasn’t really into Gwent (or, Gwint, as it’s originally known in Polish) when playing The Witcher 3. So I was completely uninterested in a standalone multiplayer focused free to play game when it was launched and has never even tried playing it since. Imagine my surprise when CD Projekt RED decided to make a story-driven title with Gwent as its central mechanic. I wasn’t looking forward to play it, yet couldn’t resist another story-based visit to the world of The Witcher, which I do like. And… it’s fine.

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Happy about: Blaster Master Zero

Despite playing Blaster Master on NES (well, NES-clones, as it was all we had) as a kid and distinctly remembering its amazingly catchy soundtrack, I never got particularly far in that game. Actually, I never even fully understood how it worked. So when a remake, Blaster Master Zero, was released on 3DS and Switch, I didn’t care much. As time went, however, I discovered more about the game (via the amazing Digital Foundry episode on the port, for example) and got increasingly more curious. The game had an exploration focus a slight metroidvania vibe and I love that stuff. With the PC release of the game earlier this year I no longer had any excuses to not play it. So, here we are.

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Thoughts on: Distance

Nitronic Rush, released about 7 years ago, remains one of the most well known student projects from DigiPen. It was a really curious “survival driving game” that mixed the early 90s arcade racing feel with very Tron-inspired visuals and some crazy car acrobatics as if one were to mix Speed Racer and TrackMania. It was also free as it still is. Fast forward several years and the mostly same team of people releases Distance – a spiritual successor to Nitronic Rush. Though, it’s also a bit of a remake of the original as well, since you can play all of the original tracks here as well. And it’s not really my cup of tea. Yet, also something that I enjoyed playing.

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In love with: Katamari Damacy REROLL

Na naaaa nanana nana nanaa… 

Katamari Damacy is one of those wonderful joyful toy-like experiences for all ages that don’t appear as often as I’d personally love to see. And my only huge complaint with this remaster would probably only boil down to – why not pack it with We ♥ Katamari for even more bizarre and fun ball rolling goodness?

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