Writing about something like killer7 new PC port is a bit weird. On one hand, this is very much a revisit of a game from 2005, originally on GameCube and PlayStation 2, that I have played (though never finished) back in the day. Making this a bit of a retrospective post, like my O tempora series. Yet at the same time, this new PC port of the game, despite not bringing big changes, can play so much differently, that it’s hard not to approach it as if it was a new game entirely. So I will try to look at the game from both perspectives – as a replay of a cult classic game from 14 years ago, and as a completely new title you might’ve never heard before and might want to check out. May the lord smile and the devil have mercy.
Tag: Highly recommended
In love with: Resident Evil 2 (2019)
After the release of Resident Evil 1 remake in 2002 (colloquially called REmake) a lot of the series fans expected to see the same treatment to the second and third game in the series on GameCube. But it was not to be and GC releases of RE2 and RE3 were slightly updated ports of the Playstation versions of the game, which left a lot of people requesting Capcom for more remakes in the following years. It was so consistent and so determined that, perhaps, only the requests for Final Fantasy VII remake were more notorious. So in 2015 after asking the community if they are still interested in seeing Resident Evil 2 remade, Capcom announced their decision with the “We do it”.
Three years have passed since that surprise announcement…
In love with: Unavowed
Dave Gilbert’s Wadjet Eye Games have come a very long way. Despite sticking to the Adventure Game Studio and its aged and hard to work with tools, they’ve managed to both create and help create some of the most refreshing and innovative point and click adventures over the past 12 years. And while they have published some good games, I always preferred Dave’s own approach to designing adventures, which often favored dialogue and good storytelling over puzzles. And Unavowed may be the most interesting take at adventure games I’ve seen since the “golden age”. Or ever.
In love with: Return of the Obra Dinn
Return of the Obra Dinn is a mystery adventure game from Lucas Pope, best known for Papers, Please. And it’s quite a unique experience.
In love with: The MISSING: J.J. Macfield and the Island of Memories
This could’ve been just another solid attempt at a gruesome puzzle platformer in the vein of LIMBO, but with a more defined and very intriguing story. But that’s not how Swery makes games, now is it? No, even when his games are full of references and clear borrowing of ideas and concepts from other games, they have so much personality to them, they feel unique. And even when his games have bizarre and somewhat comedic stories, they seem to have some sort of concept or message to tell, and it’s done in a really unforgettable way. As it happened with The Missing, the first released project from Swery’s (Hidetaka Suehiro) new studio.
Read more“In love with: The MISSING: J.J. Macfield and the Island of Memories”
In love with: La-Mulana 2
It seems forever ago now that I’ve first played and fell in love with the original (technically, the remake) La-Mulana, even though it’s only been 5 years. The original “Archaeological Ruin Exploration Action Game” was a very unique, even for today, approach to exploration-focused platformer titles, borrowing heavily from unknown in the west The Maze of Galious. Despite having a lot of similarities to the “metroidvania” games, it focused much more heavily on puzzles that could go from covering just the room you are in to the entire game world and required you to pay close attention to the details you see. It had a lot of unique and fun elements to it, but it was also often infuriatingly obtuse with puzzle design, sometimes requiring you to not just think outside the box, but realize that you might be in the box, visualize it on paper, then translate it into some invented language and then find a way how to think outside of it.
When the Kickstarter project for La-Mulana 2 appeared in 2014 one of the biggest promises was to keep all the excitement of the exploration, puzzles, challenge and sense of adventure intact, but also improve on those frustrating elements, that were originally intentionally done in such an annoying manner to emulate the design of games from the MSX. After throwing my money at the screen and waiting for 4 years, I’ve decided to wait a few more months until the first few patches were released to iron out most of the issues. And finally, I was able to get into La-Mulana 2. 42 hours later…
In love with: Yakuza 0
While Yakuza series have been around for a while now, I never had a chance to check them out because of not owning the platforms the games were exclusive to. So they just remained the series people love to talk about and praise, but something that I’ve not experienced for myself, nor knew how exactly it plays. With the recent release of Yakuza 0 on PC I finally had a chance to experience the series for myself. And… wow. I mean. Wow.
WOW, BREAKIN’ THE LAAAAAW BREAKING THE WOOOORLD kowasee~
Revisiting Mass Effect 3 (with DLCs)
It’s easy to imagine how much pressure BioWare was under as they were making the closing act of the Mass Effect trilogy after the success of the previous two entries. With the first game they’ve established the universe, with the second they’ve refined the gameplay and characters. Third game was supposed to somehow top this and bring the story to a closure. And that’s where they faltered, got confused about how all of this should end. After the incredible scope of Mass Effect and stylish cinematic action of Mass Effect 2, Mass Effect 3 had an identity crisis that it couldn’t quite resolve.
Revisiting Mass Effect
Yes, it has been more than 10 years already, hard to believe as it may be, since Mass Effect was originally released. First exclusively on Xbox 360, then, half a year later on PC (PS3 version didn’t come until 2012, though). Despite BioWare setting a new example, a new milestone in how to make story driven RPGs with almost every game prior to this one, it was Mass Effect specifically that became a template for so many games to follow. A cinematic, character and story driven, action and dialogue focused RPG that tried to please varied audience on different platforms without compromising on its values. A game so fresh, yet so distinctively BioWare.
Playing it today on PC it’s easy to see why it was loved and why other games tried to copy it. Also easy to notice things that hasn’t aged well or were not good in the first place.
In love with: The Evil Within 2
When I completed The Evil Within several years ago I felt relieved. It was the kind of relief you have after going through a meeting with a dentist or removing a painful thorn. The “oof, I hope I won’t go through this ever again” kind of relief. Which, if you ask me, is a terrible feel for a game to evoke. Evoking the absolute worst features of a game from Shinji Mikami, it focused on punishing the player way too much, while giving back way too little enjoyment in return. It didn’t just make you question the reality of the events in the game, but also yourself and your choice to play this goddamn game in the first place. It had some amazing ideas, however, and its story DLCs were showing clear understanding of mistakes made in the main game.
When it was announced that there will be a sequel, my only question was “But why?” However, when it became clear that it would be developed by the makers of the aforementioned DLCs, I got curious. For a good reason, it turns out.