Thoughts on: Grim Dawn (with 2 expansions)

Back in 2006 a studio called Iron Lore Entertainment released Titan Quest, a “Diablo-like” action RPG that didn’t break any new grounds, but felt like one of the best all-rounder aRPG experiences out there. It also used the Greek mythology as its setting, something that still remains a novelty for the genre. Unfortunately, while developing a new game pitch called “Black Legion”, the studio failed to get enough interest and had to eventually close down. Part of the team created a new studio called Crate Entertainment, bought out the rights for the pitch, acquired the license for using the same engine and continued development. Despite having a core team of just 2 people at the earliest years of development and supported by volunteers (many of whom were also from Iron Lore), the project was finally unveiled in 2010 as Grim Dawn – a spiritual successor to Titan Quest, but this time with Eldritch-themed setting.

Game went through long development, a successful Kickstarter campaign to expand the funding, and a long Early Access period before being released in 2016. Since then, there was an additional mode DLC and two expansions, Ashes of Malmouth and Forgotten Gods, the second of which has been released just a month and a half ago. And it’s at this point, I finally decided to give it a go.

Read more“Thoughts on: Grim Dawn (with 2 expansions)”

Few notes on: Videogame music 2018

As usual, my post about the videogame music of the previous year is late due to me wanting to play some leftovers from 2018. Though, turned out, they didn’t make the list anyway. 2018 turned out to be quite surprising for the videogame music as quite a lot of the things that I want to list is here on a technicality. Though, not like we didn’t have some amazing tunes from last year. Let’s dive in.

Read more“Few notes on: Videogame music 2018”

In love with: killer7 (on PC)

Writing about something like killer7 new PC port is a bit weird. On one hand, this is very much a revisit of a game from 2005, originally on GameCube and PlayStation 2, that I have played (though never finished) back in the day. Making this a bit of a retrospective post, like my O tempora series. Yet at the same time, this new PC port of the game, despite not bringing big changes, can play so much differently, that it’s hard not to approach it as if it was a new game entirely. So I will try to look at the game from both perspectives – as a replay of a cult classic game from 14 years ago, and as a completely new title you might’ve never heard before and might want to check out. May the lord smile and the devil have mercy.

Read more“In love with: killer7 (on PC)”

Happy about: The Legend of Heroes: Trails in the Sky “Trilogy”

Ever since I’ve started playing games from Nihon Falcom, I’ve heard the Trails in the Sky subseries of their The Legend of Heroes franchise brought up a lot as an example of a truly amazing story-driven game with amazing character development, deep world lore and really good narrative. And since the official international PC re-release of the first game 5 years ago the talks about these games grew even harder to ignore. So I’ve finally decided to give all of the 3 games a go.

Read more“Happy about: The Legend of Heroes: Trails in the Sky “Trilogy””

In love with: Unavowed

Dave Gilbert’s Wadjet Eye Games have come a very long way. Despite sticking to the Adventure Game Studio and its aged and hard to work with tools, they’ve managed to both create and help create some of the most refreshing and innovative point and click adventures over the past 12 years. And while they have published some good games, I always preferred Dave’s own approach to designing adventures, which often favored dialogue and good storytelling over puzzles. And Unavowed may be the most interesting take at adventure games I’ve seen since the “golden age”. Or ever.

Read more“In love with: Unavowed”

Happy about: Gorogoa and Donut County

There’s something special about the little short games that manage to cram a lot of awesome into just an hour or two. It’s not a common thing to happen, I’d say, as most titles tend to either aim at a longer gameplay time, or are very short experiments, that don’t feel like a complete experience. Even The Room series started as feeling like a really cool first part of something bigger and not as a complete package, even if the game was fun. But that’s what’s cool about two very different games, Gorogoa and Donut County, that will take you less than 2 hours to complete on the first try, yet still feel like a complete and fun experience.

Read more“Happy about: Gorogoa and Donut County”

Disappointed thoughts on: Pillars of Eternity II: Deadfire (4.x with DLCs)

I remember being surprised at the announcement of Project Eternity Kickstarter campaign, the working title for the original Pillars of Eternity. A surprise that quickly turned to throwing money into the monitor. Obsidian Entertainment have rarely disappointed before and they most certainly didn’t with PoE, when I eventually got around to play it. In fact, I’d say that it remains one of my absolute favorite story driven RPGs, just based on the fact how it managed to perfectly merge the simple sword and sorcery of the classic Baldur’s Gate (and older fantasy RPG titles), with a genuinely interesting and nuanced world. It was a game full of memorable ideas, characters and lots of choices that made me think hard, carefully weighting the options and bringing myself and my own morality into the game world.

So of course I backed the Pillars of Eternity II campaign as soon as it started. Obsidian Entertainment have rarely disappointed…

Read more“Disappointed thoughts on: Pillars of Eternity II: Deadfire (4.x with DLCs)”

O tempora: Scratches: Director’s Cut

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Scratches was originally released in 2006 (with updated Director’s Cut being available since 2007) at just the right time. By that point both adventure games and horror titles not focusing on action became somewhat rare, and a change was yet to come. It was far from being the first attempt at a screen-by-screen transition first person view game (like Myst) that focused on horror, but unlike a lot of its competition it was really well made and told a simple, yet genuinely engaging story. Returning to this game 12 years later certainly feels interesting.

Read more“O tempora: Scratches: Director’s Cut”

Happy about: Divinity: Original Sin 2 – Definitive Edition

Larian Studios have been doing Divinity series for 16 years now and if anything, I cannot call any of their games “boring”. Divine Divinity was an attempt to mix the depth of Ultima series with simplistic aRPG gameplay of Diablo, Beyond decided to add dual character control into that mix, Divinity II allowed you to read NPCs minds and turn into a dragon at almost any point in the open map and Dragon Commander was a bizarre mix of genres where you played as a dragon with a jetpack. When going with crowdfunding for Original Sin, they decided to switch from action RPGs to turn based RPGs and focus on cooperative gameplay, half-jokingly saying that the game was designed to be played specifically by people in a romantic relationship.

But despite all of these creative and fun ideas, every single game they’ve made felt clunky, not particularly good at anything it tried to be and somewhat half-baked. I did enjoy my time with Divine and Divinity 2 back in the day, but none of the other games, including Original Sin, could get me interested for longer than a few hours, either because they were boring, or plot was terrible, or something else, or all of the above. So, I’m glad, that it wasn’t the case for Original Sin 2, when I’ve recently completed it in the updated Definitive Edition package.

Read more“Happy about: Divinity: Original Sin 2 – Definitive Edition”