Even leading up to its release, I wasn’t sure what exactly The Making of Karateka would turn out to be. A collection of games? A documentary with interviews? Some remasters or reinterpretations of the original titles? All of it, turns out. And it’s a fascinating compilation that, in a way, was possible due to how impactful and important Karateka was and because Jordan Mechner, its creator, detailed his experiences in a diary that was published as a book years ago.
Tag: Recommended
Happy about: My Friendly Neighborhood
When I see a game labeled as “survival horror” I don’t expect it to be a classic survival horror and instead turn out to be a horror themed game of some random genre. So after playing the demo of My Friendly Neighborhood and seeing that it is shaping up to fit the classic survival horror genre pillars, I was pleasantly surprised. And while I wouldn’t name it among the truly good examples of the genre, it’s definitely a descent enough game to scratch that itch and it also has a bunch of cute ideas of its own.
O tempora: Star Wars: Knights of the Old Republic
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
I think, none of the other BioWare games had the impact on gaming as Star Wars: Knights of the Old Republic had. Originally released in 2003 on Xbox, it was the culmination of everything the company did up until that point, but streamlined (in the best possible way) for consoles and due to that (and the Star Wars setting) it managed to cover an audience so huge no “western” RPG covered before. It kickstarted the rise in popularity of morality systems, romance options, “home bases” with companions to choose from… All of it existed in games before, but KotOR became a template for lots of games to follow. All while also being, arguably, the least controversial and most beloved Star Wars product from the whole prequel period of the franchise.
I played this game a lot back in the day, but after the sequel (which I loved so much more), I revisited it less and less and the last time I’ve played it was more than 15 years ago. Now that the game is turning 20, I’ve decided to finally revisit it and see how it fares.
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O tempora: Aliens versus Predator 2
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
When talking about No one Lives Forever 1 and 2, I mentioned that apart from those two, there was another Monolith Productions classic that cannot be purchased digitally – Aliens versus Predator 2. Released between NOLF 1 and 2, this game was my personal favorite of the three and I replayed it a lot. I haven’t done it in a long while, though, and after replaying the NOLF games I was a bit worried about being disappointed. But I wasn’t.
Happy about: HROT
Since I’m not trying to play every classic FPS of this new wave in the genre revival (especially since a lot of them are not good), I don’t pay attention to many of them as they pop up. HROT, though, had a curious style and a… “vibe”, I guess, that got me curious about the project back in 2021 when it was still in Early Access. Now that the full game is out and I had a chance to shotgun my way through it, I gave it a go and… It’s quite odd, but mostly in a good way.
Happy about: Amnesia: The Bunker
The influence of Frictional Games on the direction horror themed games took over the past 16 years is undeniable. Their initial Penumbra tech demo from 2006 was a surprisingly fresh take on an adventure genre, with stealth and action aspects, physically-based puzzles and interactions and surprisingly solid horror atmosphere. All of which was developed further into Penumbra: Overture, the only game from the studio until now that was adhering to the pillars of the classic survival horror, focusing not only on exploration, adventure elements and stealth, but also allowing you to deal with enemies directly via combat and traps. But beginning with Penumbra: Black Plague, the team set a mission for themselves to make great narrative-driven titles and to achieve that, the survival horror mechanics had to go.
After achieving great and unexpected success with Amnesia: The Dark Descent, team followed it up with no less great SOMA. Two fantastic story-driven horror themed stealth adventure games that always prioritized good atmospheric experience over the mechanical aspects of the gameplay. Then, just over two years ago, they’ve decided to revisit the Amnesia “brand” with the incredibly mediocre Amnesia: Rebirth – a game that went really far into the narrative, but without making it particularly engaging or interesting to experience. Amnesia: The Bunker seems like a direct reaction to that as it is the return to beginning and a curious attempt to reimagine what classic survival horror gameplay could be, while staying easily recognizable.
Happy about: System Shock (2023)
The original System Shock from 1994 was an incredibly important game. In some regards it was “Ultima Underworld in space”, and alongside its two Ultima Underworld predecessors, was an early example of a game designed around simulated systems that heavily leaned into emergent gameplay. A concept that is nowadays usually defined as an “immersive sim”. Even in this rougher form the game was great and if one can get through layers of outdated UI, controls and quality of life aspects it’s exciting even today. Especially in the Enhanced Edition version released 8 years ago by Nightdive Studios, known for their faithful and high quality restorations of older games.
That was the only way to experience the original game until now when the very same Nightdive released the remake of the game. Originally announced as a Kickstarter project around the same time as the Enhanced Edition came out, this project spent a long time in development and had several major changes in its focus. It switched engines, then it was decided to expand the scope of the project and then, when it became obvious that the plan wasn’t working, switched back to being a faithful remake of the original game. Which is exactly what we got now for better and for worse.
O tempora: Max Payne & Max Payne 2: The Fall of Max Payne
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
I absolutely loved Max Payne when I first played it. It felt unlike any other action game out there and for years remained my golden standard for how an action game should be. It wasn’t without flaws, but it’s fantastic pace, exciting action and shockingly good storytelling far outweighed them in my eyes. Then there was also a sequel that I admired and respected for its even bigger focus on storytelling and some refinements to the gameplay mechanics. But I also didn’t enjoy the game as much. It has been a while, however, since I’ve played any of them and I wanted to see what my opinion on these classics would be today, especially with a remake announced.
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Revisiting Torchlight II
While the original Torchlight came out during the time when “Diablo-clone” action RPGs were almost entirely absent from the market, Torchlight II arrived in 2012, and things looked quite different. Among many announced and awaited titles we had two huge releases. Diablo III came out earlier the same year and despite receiving a lot of criticism, it was Diablo and that title still meant something. And in a related genre, Borderlands 2 got released just a couple of days before Torchlight II and despite being more of the FPS, the whole “looter shooter” concept the first title helped popularize had an clear overlap in audience. None the less, the game wasn’t lost and forgotten and got a lot of well deserved praise. Including from me at the time, so I was curious if my opinion would be any different over 10 years later.
O tempora: Diablo II: Resurrected
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Okay, confession time. People love Diablo II. For many it has been THE Diablo game to play and it has been extremely influential, canonizing a lot of concepts that are still in use today. But I never liked it much. In fact, I’m not sure I’ve finished Lord of Destruction before – the expansion pack for the game, though I definitely remember finishing the Act IV. But I did respect the game and, given how much praise this title has always received, always planned to revisit it. Now that a genuinely fantastic remaster Diablo II: Resurrected is available and I’ve finished replaying the original Diablo with its expansion, I went in and played the sequel too. And finally enjoyed it.