O tempora: Final Fantasy IX

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Well, it finally happened. Barring the online-only entries and Final Fantasy XVI (that is not yet out on PC), I’ve played/replayed all numbered entries in the series. And last one to do was the one that I usually named as my favorite. I was a bit scared about replaying Final Fantasy IX, not just because I knew that the PC port is rather average at best, but also because I had such good memories of the game, yet also remembered that there was a lot about it to get frustrated with. I was afraid that it won’t live up to my memory. But no, while it does indeed have a lot of things to criticize, it remains one of my favorite entries in the series and an easy recommendation.

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In love with: The Talos Principle 2

About 9 years ago Croteam surprised everyone by releasing a puzzle adventure with genuinely well written plot, instead of a mindless shooter where you kill dozens of enemies per minute. I loved the game, but by the end of the main game playthrough I got a bit tired with it and did complete the Road to Gehenna DLC. So while I was really interested in seeing Croteam revisit this idea again, I also wasn’t sure how one could make a sequel.

As it turned out, they knew exactly how to do it and it goes beyond my most optimistic expectations.

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In love with: Cyberpunk 2077 (2.01 with Phantom Liberty)

I suppose, Cyberpunk 2077 is the perfect example of why is it I try to avoid playing and reviewing games until they’re “complete”. Though, surprisingly, the big change that makes my old review somewhat outdated isn’t the new expansion Phantom Liberty, but rather the 2.0 patch that overhauled the game in a substantial way and all of the patches that preceded it. I loved playing the game even more than before, but this time I can also easily recommend it to others. All it took was “just” 3 extra years of development…

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Revisiting Split/Second

There used to be a time I regularly played fun arcadey racing titles. But then two things happened. First – racing titles started to pursue the open world concept that made all of them move farther from the simplicity and joy of just selecting a car, a track and going. Second – the popularity of more sim-like arcade racing games like Forza Horizon and Grid, games that I just can’t get into to this day. The nice thing is that the last two greats of the genre that I loved were among the best I’ve ever experienced – Split/Second and Need for Speed: Hot Pursuit, both released in 2010. The sad thing is – there hasn’t been a single racing game since 2010 (the remaster of Hot Pursuit notwithstanding) that I’ve genuinely enjoyed. Is Split/Second as amazing as I remember it being?

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In love with: Blasphemous 2

While initially I bounced off Blasphemous due to its focus on the “Dark Souls inspired challenge”, I did end up liking it a lot when playing the final version of the game a year ago. The title remained a bit too cryptic with some of its design and there still were some rude moments, but overall it was redesigned to be much more fun and welcoming. Its visual style and soundtrack were phenomenal as well.

I was very cautious about Blasphemous 2 as I couldn’t predict what direction a sequel could take. I could bounce off it even harder, after all, depending on what the focus of the game would be. In the end, I loved playing it. Yet I feel like some die hard fans of the original might get disappointed.

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In love with: Ghost Trick: Phantom Detective

After finishing the work on the third and originally final entry in the Ace Attorney series, Shu Takumi, the creative lead behind those games, wanted to do something similar but fresh. Which ended up becoming Ghost Trick: Phantom Detective for Nintendo DS in 2010. Unlike the Ace Attorney games, this title was more of a puzzle focused adventure game, where you are a spirit, who can perform the titular “ghost tricks” when possessing different items on the screen to solve problems. And instead of unearthing or solving crime you were often focusing on preventing it by having an ability to possess a recently deceased person and go 4 minutes before their death to attempt and prevent it from happening in the first place.

The game was very well received critically, but had poor sales, according to Capcom themselves, and soon after Shu Takumi returned to work on more Ace Attorney games. Luckily, the game wasn’t forgotten and we now have a new version of it adapted for modern platforms, running on RE Engine (as it’s now the main engine Capcom builds their projects on) and with a couple of neat improvements. And it’s great.

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I also love: We Love Katamari REROLL+ Royal Reverie

When Katamari Damacy REROLL suddenly rolled into existence less than 5 years ago, I absolutely loved it. And my biggest complaint was the lack of We ♥ Katamari content, as it felt to me that a new title mixing both the original and the sequel would’ve been a far better choice. Well We Love Katamari REROLL is here now, with lots of improvements, a little added bonus in the form of Royal Reverie and, sadly, with a few unfortunate issues.

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In love with: Persona 5 Royal

The original Persona from 1996 was the first Megami Tensei game to receive a release outside of Japan and be localized in English, bringing new fans to the franchise. Persona 3 from 2006 was the first time the franchise achieved huge international success as a unique jRPG (however broad this genre name is). Persona 5 from 2016 was the first time the franchise reached a success that went beyond the genre boundaries.

Of course, the process wasn’t that rapid and sudden and this “every 10 years” view is incorrect – each new game built momentum, gradually growing in popularity. And it’s not even that every odd release of Persona games is meant to be an important milestone, because then we will have to discuss many re-releases, spin-offs or even the fact that there are 2 games called Persona 2, one of which is a sequel to another. What is important, however, is that Persona 5, in its Royal release now finally available on most platforms, is the first time I wouldn’t have any trouble recommending a Persona game to absolutely anyone. With no asterisks, links to wikis and complex explanations. Persona 5 Royal is just that easy to get into. And also really hard to stop playing.

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O tempora: Star Wars Knights of the Old Republic II: The Sith Lords

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

There are several well known sad “oh what if they had more time” stories in video game development, where it’s well known that the game was launched in a state that was viewed by its own developers as incomplete. Not necessarily even buggy or full of issues, but not containing everything that has been already prepared and shipped, but locked and normally inaccessible. And to me, Star Wars Knights of the Old Republic II: The Sith Lords is the saddest example of them all. The first title of Obsidian Entertainment, a gathering of incredibly talented and experienced people from Black Isle Studios backed by new no less talented team members, it remains my personal favorite Star Wars story of them all. No really – there’s not a single other piece of SW-related media that is as good as this. Yet, even with a fantastic The Sith Lords Restored Content Modification (TSLRCM for short) that restores a lot of cut content in its current 1.8.6 version, the game occasionally feels incomplete and playing the game can be a frustrating experience.

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In love with: Live A Live (2022)

Live a Live (stylized as LIVE A ƎVI⅃) has been a project I’ve heard a lot throughout the years. It was a jRPG from Square released in 1994 – that’s the same year as Final Fantasy VI, a year after Secret of Mana and a year before Chrono Trigger. But, just as Seiken Densetsu 3 (later officially and wonderfully remade under the title Trials of Mana), it was originally a Japanese-only title, so a huge amount of international audience only heard about it without good means to experience it for themselves. The concept for the game sounded wild – several unrelated independent stories with unique setting and gameplay mechanics in one package. All produced by Square at the top of their game and with the soundtrack from Yoko Shimomura, who’s soundtracks for Super Mario RPG and Parasite Eve would become much beloved just a couple of years later.

Unexpectedly, last year a “HD-2D” remake of the title was announced, first exclusively for Switch and now available on more platforms including PC, so I could finally experience this unbelievably sounding title for myself. And it’s genuinely hard to put into words just how surprising the experience was.

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