Of all the 3d/2d Ys games made, Napishtim was the first to be made, yet the last to finally get a proper PC re-release. And while most of the good stuff that people loved about Felghana and Origin is still there (as it originated there), it does feel like a first attempt.
One of the weakest of the best is still good, right? Resident Evil 0 is a rather mediocre entry among the absolute best classic Resident Evil titles, which means, it’s still way above a lot of classic survival horror wannabes. And in its HD Remake version the game got better. Not just visually, like it mostly was with REmaster (not like it was a bad thing, mind you) – RE0 HD is actually more fun to play than the original GC (and later Wii) release.
Original Book of Unwritten tales was a complete surprise – it was released at the time when it seemed that comedic adventure games were truly gone there was that game, looking good, voice acted good, with a restrained amount of pop references and very strong self identity and pretty good gameplay. Critter Chronicles, while not as good and clearly started as more of a short expansion made bigger for a full standalone release with pointless filler, was still a great game and I’ve had a lot of fun with it. The Book of Unwritten Tales 2 manages to be both much better and kinda worse than the first two at the same time.
This is not a game a lot of people will enjoy. It can probably be best described as an “interactive fragmented imaginary documentary film about a curious case that never got solved”, where “interaction” comes almost only in how you sort out the fragments of the story together. It’s a weird and interesting experience that feels a bit… lacking, but still satisfying.
Read Only Memories is a game that I can easily recommend, yet not in the “you should totally play it” way and more in the “yeah, it’s good” way. It starts great, but ends on a rather “eh” note, which disappoints, yet still doesn’t feel like playing the game was a waste or anything.
Undertale is a very interesting combination of ideas and genres. Sometimes, seemingly conflicting ones, even. For example – it’s a jRPG (of Earthbound-like variety) at the first glance, but focuses more on things more associated with adventure and visual novel games in both overworld and battle mode, bullet hell dodging, Resident Evil: Gaiden-like fighting and even platforming. It goes very meta about RPG mechanics, yet usually doesn’t leave it’s own fiction to be fourth wall breaking to the point of losing immersion. And most surprisingly of all – it manages to be much more of an actual “roleplaying game” than a lot of RPGs. You can be an adventurer, you can be a hero or you can be an actual proper world threatening villain. And game goes to incredible lengths to acknowledge what you do and how you do it.
A lot of people seem to call this game a love letter to “metroidvania”, and I can’t fault them for that. This is one person’s attempt to create a truly modern 2D Metroid-like game, using all the lessons learned from the best of the best in genre and adding new elements, that weren’t tried in the genre before. This game has exciting exploration, varied locales, fantastic soundtrack, unique visuals that mix old-school 8bit and 16bit era art with subtle modern effects, surprisingly good challenge for the most part and a very interesting atmosphere that can probably be summarized as “sci-fi adventure as if Another World/Out of This World was designed by H.R. Giger”.
Time is a curious thing. 2006, the Penumbra tech demo and a completely different me. Today it all feels so far away. So many changes, so many things to happen, choices to make, emotions to feel. It’s 5 years since Amnesia: The Dark Descent. 2 since A Machine for Pigs (even though it wasn’t made by Frictional). Two more versions of me. Would all these versions of myself and me today live together? Would we understand each other? How would that work? Are we defined by our consciousness or something more than that?
Ridley Scott’s Alien is still an amazing movie. 36 years later its “future technology” has aged. Computers slowly render the information in 2 colours on a CRT monitor while their hard drives make lots of noises – this feels like it has no place in space flight of the future, even though space flight is usually planned to have cheaper more durable hardware installed. Yet, so many people grew up on the sci-fi with this technology, myself included. And the costume and set designers tried their damnedest to create something tangible, something real, something one would want to visit. If if that beautiful and outdated set is populated by a terrible alien creature which is as much a cultural icon as this type of sci-fi itself. How many games tried to do Alien. How many failed. And most aimed to be something closer to Aliens anyway, something action heavy and lighter on horror theme, not a pure chilling horror in space where no one can hear you scream. Alien: Isolation is hear to fix this unfortunate error.
