Belatedly happy about: Ace Combat 7: Skies Unknown

It’s a bit weird – since childhood I had a fascination with planes. Yet, I’ve never went into much of a “fandom” with the aircraft and barely ever played flight simulation games. But one of the games I did play and enjoy as a teen was Ace Combat 2 that I got in a bundle with the used PS1 my parents got me. I found it quite challenging, but it was an exciting experience that attempted to bring the cinematic and almost arcade racing approach to the flight simulation. It had a cool soundtrack, as titles from Namco (before they were merged with Bandai) of that era used to have. Since Ace Combat 2, I think the only flight sim I’ve played was Tom Clancy’s H.A.W.X (which was neat) and that’s it.

But I’ve heard very good things about Ace Combat 7: Skies Unknown and after years of debating with myself about if it’s even worth it for me to try it out, I did. And while it remains “not my thing”, I enjoyed it quite a bit.

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Thoughts on: Forza Horizon 5 (with 2 expansions)

For years now I’ve been told how Forza Horizon series are “arcade racing”, a type of racing games that defined the 1990s and most of 2000s, the one I used to like a lot. And for years I didn’t believe people and refused to try them out for myself. Well, now that I’ve played Forza Horizon 5, I feel much better knowing that I was right – it’s not an arcade racing game, not what it used to mean. And while it’s a pretty good title in many ways, and I’ve had a fair bit of fun playing the game, it also made me feel very depressed about the current state of the genre I used to find so relaxing.

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O tempora: Legacy of Kain: Soul Reaver 1&2 Remastered

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Legacy of Kain has been one of the most important franchises for me personally. While it has not been a series I replayed very often, unlike a lot of survival horror classics, it has remained a benchmark of worldbuilding, character writing and storytelling. The incredible work Silicon Knights did when creating the world of Nosgoth for Blood Omen: Legacy of Kain still holds up. As do the stunning writing and cutscene direction of Amy Hennig and her team with later entries, as Crystal Dynamics became the owners of the franchise. There has been only one dud in the main series (Blood Omen 2), and even that game had its moments. Franchise consistently had incredible music, some of the best voice acting in games and one of the most cleverly written storylines… That to this day remains unfinished. Legacy of Kain: Defiance, the final “proper” entry in the series was released in 2003 and was an ending, but not the ending to the incredible tale started in 1996. And since then only cancelled projects, including some incredibly misguided ones, followed. By now, with almost all of the original team spread across the industry (or sadly not among the living) getting a sequel is not just unlikely but may even be preferable. The industry is too different and Legacy of Kain requires a strong vision and choices that development studios and especially publishers would simply not risk to make.

So, given that getting no future games in this wonderful franchise might be the best outcome possible, let’s look at its past with the recently released Legacy of Kain: Soul Reaver 1&2 Remastered.

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Thoughts on: Dragon Age: The Veilguard

As someone, who got into computer roleplaying games due to the first two Baldur’s Gate titles decades ago, my takes on Dragon Age were often considered at least somewhat controversial. While I liked Origins, I never cared about it that much and found it quite boring. As everyone pointed at the copy and paste dungeons of Dragon Age II, I called it the best story-driven RPG BioWare has created, and stand by those words even today. And… Hmm, I suppose saying that Inquisition isn’t worth your time was not a very controversial opinion. But nonetheless, I admired Dragon Age world and even Inquisition, for all of the dozens of hours of boring crap, felt like it still belonged to the same world first shown in Origins. The Veilguard offers only tiny glimpses of that and most of the time feels like a Saturday morning cartoon adaptation of the story. Yet… it can be quite alright to play anyway.

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Happy about: Sonic X Shadow Generations

Sonic Generations from 2011 was a solid game, elevated by the almost consistent failures of other entries in the Sonic franchise. As despite some positivity with Sonic Colours and even early positive reactions to Sonic 4: Episode I (which became quite disliked in retrospect), Sonic as a series was in a pretty bad spot. In 2024 the situation has changed quite a lot as while there’s still a lot of criticism directed to first party developed Sonic titles, fans finally got some great entries as well – Sonic Mania (2017) possibly being the biggest highlight. Sonic X Shadow Generations is an expanded and enhanced version of Sonic Generations that contains the original game with some updates and changes and a completely new game called Shadow Generations. And as such, it provides a look at what people called a good Sonic game in 2011 and what might be considered a good Sonic game in 2024.

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Thoughts on: Sorry We’re Closed

With the wave of true classic survival horror revival that’s been happening over the past five or so years, I’ve always been more excited about games that don’t just copy the existing formula but try to do something different with it. Yet, most of the attempts at doing that so far have been quite poor, usually due to the relative inexperience of the developers preventing them from realizing their big ambitious ideas. Sorry We’re Closed gets very close to doing things well. But it doesn’t stick the landing.

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Ugly duckling: The Thing: Remastered

The Thing originally came out in 2002 and was one of several odd “games that were kind of official sequels to movies that didn’t get sequels”. It was sometimes done really well, as it happened with TRON 2.0, which is arguably a more interesting sequel than the actual sequel that followed less than a decade later. The Thing was not done well, but then again – neither was the prequel released in 2011. I have played this game on PC back when it just released and while I didn’t find it great, it held huge promise. A lot of its core mechanical ideas could support the paranoia driven action horror gameplay… it’s just that they didn’t in practice. Then I revisited the game about 13 years ago or so and my opinion on it hasn’t changed much. Now with The Thing: Remastered being the best this game ever could be (without being a different game entirely) I can safely say – it’s not a good game and could not be. But that promise I saw years ago is still there.

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Thoughts on: Mouthwashing

Due to the abundance of story exploration games or “kinda adventure games but not really”, it’s very rare I bother playing any of them unless their story or presentation or anything else really grab me. When I first saw the store page for Mouthwashing, I dismissed it immediately and wouldn’t have considered playing it if not for catching a few streams of other people going through the game. Which has shown that this game has very strong writing and presentation that might be worth checking out for myself, even though I have, essentially, spoiled the story for myself with those streams. And you know what – it was still worth it. Even if, the more this game tries to be an adventure game, the worse it gets. And it’s published by russians.

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O tempora: Half-Life 2 (20th Anniversary)

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

For how influential, important and beloved Half-Life 2 is, I always struggled replaying it. I’d start, go through several opening chapters in a blink of an eye, loving every second of it and then stop somewhere in the middle of Ravenholm or right after. I dunno, the original Half-Life, despite also having weaker segments, always felt more exciting to me overall… Not that I disliked HL2 – I still felt that it was a great game, just, not quite as good as the first one. Which is funny, because at the same time I did love Episode Two a lot and even though it had horrible grindy achievements, first game to add them back in the day, I did all of them.

Except, it’s been around 14 years since I’ve played them last time. And after revisiting the original Half-Life with its expansions and later the fan remake Black Mesa, I was meaning to revisit the sequel as well. What stopped me was the state of the game – HL2 has been somewhat broken for years, having lots of visual issues and some logic bugs too. In 2023 Valve has brought a fantastic update to the original Half-Life, which got me excited about the possibility of getting the same treatment for Half-Life 2. And now that the 20th Anniversary update is out, I’ve decided to finally revisit the game and both Episodes, as they are now part of the same package.

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Thoughts on: Nightmare House: The Original Mod

One of the main reasons In Sound Mind was such a pleasant surprise to me a few years ago was because I heard it was from the team who made Nightmare House. In my memory, Nightmare House was a very annoying jump scare Half-Life 2 mod that was of the same obnoxious horror design mentality as something like Cry of Fear. But then, I saw a lot of people speak of that mod with genuine admiration and it popped up in different conversations described as one of the best single-player Source mods of all time… As I’ve come to learn, what I was thinking is the original Nightmare House, while what people love is Nightmare House 2.

Which is where Nightmare House: The Original Mod comes in to clear things up a bit. Released as a free game on Steam, partially to promote the development of a complete remake of this mod, this game combines both of the original Nightmare House mods into one experience. With the original mod serving as a “Prologue” and the praised Nightmare House 2 taking up the most of your playtime. As far as I’m aware, apart from many quality of life tweaks allowed by a standalone release, both mods are presented almost exactly as is with only minor changes.

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