O tempora: Grand Theft Auto: San Andreas – The Definitive Edition

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Grand Theft Auto: San Andreas was, in many ways, a huge change for the series. In some ways, it was the Metal Gear Solid 3 situation: you still saw the remnants of the previous identity, that evolved and remade itself over the course of the previous games, but you could also see what the future of the franchise is going to be. And people loved it, it is considered one of the best games of all time and… I never cared about it much. There was a lot in it I remembered liking, but also a lot more that frustrated me. So the revisit with The Definitive Edition was going to be curious. And it was – I did like the game more than I originally did. But I still don’t like it very much.

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O tempora: Grand Theft Auto: Vice City – The Definitive Edition

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

While Grand Theft Auto has existed since 1997 and a lot of its basic structure and ideas remained the same to this day, Vice City was an important milestone in its development. Still full of crazy arcade-style elements, this was the first game to try focusing on a story, interesting characters and gameplay that was “grounded enough”. The second game of the “3D era”, a considerably smaller in scope follow up to GTAIII, it used to be my favorite entry in the series. And while revisiting it with the updated and extremely flawed Definitive Edition, I was glad that it didn’t age that poorly.

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O tempora: Tomb Raider IV-VI Remastered

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Almost precisely a year ago, I’ve experienced Tomb Raider I-III Remastered collection and my thoughts on it were conflicted. One one hand, it was the best way to experience three classic titles in the influential franchise. On another – all games apart from the original weren’t that good and collection itself had some questionable choices made. As a result, I was quite curious about what Tomb Raider IV-VI Remastered could be, given that I already considered The Last Revelation the best classic TR title and liked most of Chronicles. These were the games I’ve played a lot and the games that, in my opinion, aged a lot better. The collection includes The Angel of Darkness as well, of course, that I did not expect much from this re-release, given how dreadful my first and only experience with the game was over 20 years ago. So, how did it go this time? In some ways worse with the collection itself raising a lot more questions.

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Happy about: The Beekeeper’s Picnic – A Sherlockian Adventure

Over the years there have been plenty of Sherlock Holmes media, some of which attempted to be closer to the original works of Sir Arthur Conan Doyle and some tried to reinterpret the famous character. Having been a fan of the books since my childhood and lucky enough to have worked on two games based on the character as an adult, The Beekeeper’s Picnic – A Sherlockian Adventure caught my attention as a seemingly “wholesome” approach to the character, set during his retirement days. And now having played it – it really is very nice.

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In love with: The Roottrees are Dead

I hate to do it again, but… It really feels as if Return of the Obra Dinn was a monumental release. For how many fantastic investigative games existed prior to it, its influence on almost all best investigation focused adventure games since is impossible to miss. But that doesn’t mean that said titles lack identity – usually it’s the opposite and they feel fresh and unique, despite utilizing several key elements canonized by Obra Dinn. And The Roottrees are Dead is no exception – this game pulls more direct influences from the older adventure games that presented themselves as real crime dossiers and asked you to use actual internet websites to unravel its mysteries. And it’s really awesome.

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O tempora: Sonic Origins Plus

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

I watched my friends play Sonic games a lot, I played Sonic games a fair bit, the style, the soundtracks, the Knuckles himself… So many memories about these games that… I don’t love that much, if I’m honest. I’m not much into platforming games in general, unless they focus on exploration and/or puzzle solving, so despite the era of games I grew up with having so many great (and not great) examples of the genre, I didn’t play a lot of them much or at all. But after replaying Sonic Generations for the Sonic X Shadow Generations release that I really liked, I was in the mood for more Sonic. So after giving Frontiers a try and getting frustrated with it after a few hours (even though it has so many things done so well), I’ve decided to finally play Sonic Origins with the Plus expansion. And this return to the classics was somewhat predictable, but still necessary for me.

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Happy about: Ninja Gaiden 2 Black

This has been the first Ninja Gaiden game I have completed. Sure, I have played the classic NES titles, but I was never a fan of action platformers, so I saw more of those games more than played them myself. And of course I have heard a lot about the reboot of on the original Xbox, later re-released as Ninja Gaiden Black. But didn’t own the consoles you could play it, or its sequels on. I did plan to grab the Master Collection when it was announced, but was dissuaded by the negative reviews on the PC port quality. It was as if playing Ninja Gaiden is just not going to happen, until earlier this year an upcoming sequel to the rebooted series was announced. And, even more surprising, the announcement was accompanied by the same day release of Ninja Gaiden 2 Black – a remake of a remake of the second game, but now running on Unreal Engine 5. I had to finally play this game, and I am extremely glad I did.

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Happy about: ASYLUM

Back in 2006 a very small team from Argentina created a moody horror themed first person view point and click adventure with pre-rendered backgrounds called Scratches. And while it became a surprise hit, after releasing a Director’s Cut of the game the following year, the original team ceased to be soon after. Then, in 2010 lead programmer and designer of Scratches Agustín Cordes announced that their new studio was making ASYLUM. Almost 15 years of development later, it’s a released game one can play. Which I immediately did and enjoyed my time with it quite a bit.

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Disapprove: Final Fantasy VII Rebirth

I absolutely loved Final Fantasy VII Remake Intergrade. I was never a fan of the original game, heck I have more interest in FF8, despite it being a less fun game to play. But Remake, and the Episode INTERmission? So freaking good! I was excited about Rebirth and couldn’t wait to play it. Yet, as I was playing it I couldn’t wait for it to be finally over… It isn’t a bad game, but if the final part of this remake trilogy follows the same gameplay formula, I’m not buying it. I can have my time wasted for free.

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O tempora: Metal Gear Solid 3: Snake Eater – Master Collection Version

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

If there is one entry in the Metal Gear franchise that is unanimously beloved, it would be Metal Gear Solid 3: Snake Eater. Impressive for a PS2 release, wonderfully balanced in gameplay and storytelling, funny and dramatic, systemic but easy to understand. Yet, it was never among my personal favorites. I’ve only played the game (specifically Subsistence release) once and while I liked it enough, many things about the game frustrated me. And due to that, MGS2 remained my favorite. And yet, surprisingly, as I was revisiting the games through the Master Collection, I found how MGS1 and 2 didn’t age as well as I had hoped… While MGS3 felt a lot better than I have remembered.

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