I am very happy about the rebirth of classic FPS popularity. That said, not many games that attempt to recapture the simplicity and excitement of that pre-Quake/Quake era of titles end up being worth playing. To the point, where I sometimes start to wonder – with how few actual classics there were that passed the test of time and are still beloved, perhaps the “dungeon crawling with guns” approach to FPS is too limiting?.. But then countless imaginative WADs for Doom appear and I come around something like Cultic and my doubts dissipate – no, there’s still a lot of fun and creative stuff that can be done withing the classic limitations. And while I didn’t love Cultic as much as many people seem to, especially the recently released closing Chapter Two, this is a really cool FPS.
Tag: Recommended
Happy about: TR-49
While I didn’t care about most of their projects, inkle have established themselves as a small but inspired team that always tries to find new ways to make narratively driven games mechanically interesting and non-linear. My only proper experience with their titles has previously been Heaven’s Vault, which I found to be highly flawed, but also very cool and definitely unforgettable. With TR-49 the team is doing something that is a bit easier to explain and understand, especially if you have played Her Story and The Roottrees are Dead.
Happy about: Ghost of Tsushima Director’s Cut
Over the years I’ve grown extremely tired of open world games. It’s very rare that the prospect of playing one excites me, especially if the title is clearly inspired by the type of open world design that Ubisoft have popularized with their Assassin’s Creed titles. But I still find interesting titles from time to time and Ghost of Tsushima had a lot of positivity about it from people I tend to share opinions with. After ignoring the PC release of the game for over a year, I’ve decided to give it a shot and while the game still has a lot of faults, it did end up among the better examples of the genre.
O tempora: Sweet Home
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
I’ve talked about movie tie-in titles that became instrumental in shaping the future of gaming when I was exploring The Chronicles of Riddick: Escape from Butcher Bay. But this time, we are going even further back in time to 1989, to a horror themed action adventure turn based party based RPG Sweet Home, developed by Capcom as a tie-in to the movie of the same name. It was released on Famicom exclusively in Japan and has never been officially localized or re-released. Yet, this game and its unique blend of game mechanics are incredibly unique and have never been recreated to this day. And it is also the reason Resident Evil exists.
Happy about: The Séance of Blake Manor
While a lot of people recommended me The Darkside Detective, a comedic point and click adventure game from Spooky Doorway, when I did try it for myself, I wasn’t a fan and never finished it. Nonetheless, when “Eldritch House” was originally announced a couple of years ago, I got intrigued. It was shaping up to be a very curious investigation focused adventure game with some cosmic/weird horror flavour and with interesting visual design too. That game was renamed The Séance of Blake Manor alongside the release date announcement and now that I’ve had time to play it, I’m very impressed. Even if it’s a flawed game.
Happy about: The Lacerator
When you first see The Lacerator store page pop up, you almost instinctively want to move on. It looks like one of way too many linear trashy horror themed action games designed as low budget slasher movies that became extremely popular ever since Puppet Combo cracked that formula. But where those types of games are linear romps with little to no interesting gameplay, The Lacerator is the complete opposite. It’s a branching paths non-linear horror themed action adventure game with a crazy amount of variation and discovery. Not quite as ridiculous as True Crime: Streets of LA was back in the day, I suppose, but fresh and impressive nonetheless.
Happy about: The Rise of the Golden Idol (with DLCs)
A few years ago The Case of the Golden Idol really impressed me. It was a solid investigation game that drew a lot of ideas from Return of the Obra Dinn, where the gameplay revolved around investigating a scene frozen in time to get certain key words, and then putting those key words in specific forms to explain what happened. It had a unique visual style, really fun plot that gradually revealed itself through your investigations and even the later DLCs were a great addition to the game, providing a solid prequel to the invents in the main game.
But the developers decided to go even further and develop a sequel and then also plan a year worth of DLCs for it. Which is the main reason I have not reviewed the game up until now – I don’t like playing “unfinished” story-heavy games. But now that it is finished, I have to say that the sequel is considerably less fun than the original game, but is still really good.
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O tempora: Gex Trilogy
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
My taste in platformers is something some consider unnatural. Despite growing during the era when platforming games of many variations were the dominant genre of games, there were not that many I actually liked. Mario games? Nope. Sonic games? Kinda, but not really my thing. Mega Man? Nah. Classic Castlevania titles? Also no. I admire and respect a lot of entries in those series, but the closer it gets to being just a platformer or action platformer, the less likely I am to enjoy the game, usually. Especially with 2D ones. Exploration focused games, like so called “metroidvanias” I do love. But if it’s just about jumping or jumping and shooting, especially if the game is supposed to be challenging – not for me.
And while there are a lot more 3D platformers that I like, it’s not a gigantic list as well. It lacks Mario, for example. But it does include Gex: Enter the Gecko – a game I have considered to be my favorite 3D platformer for the longest time. So when this game, as part of the “whole” “Trilogy” of Gex games was announced to be re-released, I was super excited. It didn’t need to be a remaster or a remake, just a very good re-release (emulated or not) of the original titles. Gex Trilogy is not quite there, though I’m still happy it exists.
Happy about: Caput Mortum
Imagine the look of an early 2000s horror themed FPS mixed with elements of King’s Field and Penumbra, all wrapped in influences of Call of Cthulhu: Dark Corners of the Earth, with a pinch of mood of Arx Fatalis and Clive Barker’s Undying. This is a lot of references, but the idea here is that Caput Mortum is a freshly released horror themed action adventure game, but it feels like it could come out back in 2003 and feel right at home there. I mean it in the best sense. And while the game is quite short, it uses its runtime exceptionally well.
Happy about: Herdling
With how many times I’ve seen games going for a moody games about a journey that feature no words over the decades, all I want from them is to just know what they want to do and when to stop. Starting from cinematic platformers of the early 90s and evolving through Ico and Journey, we’ve seen this approach taken so many times. All of the games like this are pretty and atmospheric, but they might focus on different aspects and mechanics. In case of Herdling – it’s about herding cute wooly cattle-like creatures on a journey from a city into the mountains and helping them avoid dangers. It lacks traditional puzzles, doesn’t really have a lot of “challenge”, has some optional exploration at times, but is mostly about moving forward. And it knows what it wants to do and when to stop.