Kunitsu-Gami: Path of the Goddess is not a game that I could call revolutionary or innovative. It is a very curious mix of hack and slash action game with a tower defense strategy and I haven’t seen it done quite like this before. But definitely not revolutionary. And yet, I can’t help but love this project and wish to see more huge development companies and corporations learn from it. No, not from the mix of genres, but rather from the approach this game takes. You see – this is very much a “AA game”, made by “AAA” standards, which is something you used to see all of the time back in the late 90s-early 00s, but which doesn’t really happen anymore. And playing this game reminded me of how much are we all missing out with the current gaming market trends.
Tag: Highly recommended
In love with: Withering Rooms
Withering Rooms is the kind of game you don’t get every day. Back when the title was still in Early Access, one of the ways the developer described this game was somewhere along the lines of “If Clock Tower was an action RPG”. Which… fits and, even more surprisingly, works incredibly well. This game is so strange, yet so fascinating and inventive. Its influences are recognizable, yet its mood is immaculate… And while I didn’t enjoy every second of the game and do find faults with some of its aspects, it was also one of the most inspiring gaming experiences I’ve had in quite a while.
O tempora: FlatOut: Ultimate Carnage (Collector’s Edition)
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Back in 2004 physics simulation of all kinds seemed like the coolest new thing in videogames. The biggest example, of course, was Half-Life 2, but near the end of the year a Finnish development studio Bugbear Entertainment released a racing game where the main gimmicks were extremely detailed physics and car deformation – FlatOut. Instead of going for extremely high speed street racing style how Burnout was doing at the time, the game went for the demolition derby aesthetic with most races taking place on dirt roads somewhere in forests in different weather conditions. It was really cool, but didn’t click with me personally due to feeling a bit more simulation heavy than I’d preferred.
Two years later, however, the studio followed the game up with a bigger badder sequel FlatOut 2 that added more types of cars and tracks a felt just the right amount of arcadey for me, so I played the crap out of it. This game then received an Xbox 360 port called FlatOut: Ultimate Carnage that enhanced and added a bunch of things and a bit later that same port was made available for PCs. With one huge catch – it was a Games For Windows Live title. No one liked GFWL even at the time, as despite a good concept Microsoft botched the execution of the service really hard and within several years the service was discontinued and isn’t even working properly on modern systems. So, for years FlatOut: Ultimate Carnage was very hard to get working correctly on PC. Until recently, when the “Collector’s Edition” patch updated the game to not just remove GFWL requirement, but to also update the title to work correctly on modern hardware. So I’ve decided to check if the game can suck me in once again, like it did years ago.
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In love with: Chants of Sennaar
Something about the games where the “puzzle” involves translating languages fascinates me. Maybe it’s my own background as a Ukrainian interpreter, someone who had to juggle several languages in his mind since early childhood. Or maybe it’s the curiosity of how such a complex idea could get “gamified”. But it feels like something finally “clicked” for the developers when the fantastic Return of the Obra Dinn got released, as its central idea of assigning assumptions to concepts and then having the game confirm or refute those assumptions in bulk became the basis for now two language-focused puzzle adventure games: Heaven’s Vault and Chants of Sennaar. Games that are similar in many ways, but also extremely different in where their focus lies.
In love with: Brothers: A Tale of Two Sons Remake
Back in 2013 Starbreeze Studios was in a weird position. They had lost several key team members in the years prior and in 2012 released Syndicate, a game that wasn’t well received. Releasing a small downloadable only cinematic platformer title was not something people expected of them at the time, but Brothers: A Tale of Two Sons was a success that made people trust the studio once again. Pitched and directed by Josef Fares, who has since worked on purely cooperative titles A Way Out and It Takes Two, it was a very curious attempt to create a “single-player coop” kind of game. That used its simple yet inventive controls to tell a wonderful fairy tale (in the classic dark but hopeful way) story that evoked emotions through basic interactions.
The game has been re-released and ported numerous times since then and now, over 10 years since release, it got an almost shot for shot remake of the game, similarly to Like a Dragon: Ishin! from last year. This remake aims to be a new definitive version of the game and while it doesn’t quite succeed to be that at the moment, the game at the core remains amazing.
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In love with: Dragon Quest XI S: Echoes of an Elusive Age – Definitive Edition
So… I’ve never played a Dragon Quest game before this one. It’s a bit odd to think that, given how important for the development of Japanese-made RPGs the game was. Even if it itself originally drew inspiration from Wizardry and Ultima. But yeah, I’ve played almost every Final Fantasy game, but never Dragon Quest. So I’m glad that DQ XI became my introduction to the series as I do see why it’s often called one of the greatest examples of the genre.
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O tempora: Final Fantasy IX
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Well, it finally happened. Barring the online-only entries and Final Fantasy XVI (that is not yet out on PC), I’ve played/replayed all numbered entries in the series. And last one to do was the one that I usually named as my favorite. I was a bit scared about replaying Final Fantasy IX, not just because I knew that the PC port is rather average at best, but also because I had such good memories of the game, yet also remembered that there was a lot about it to get frustrated with. I was afraid that it won’t live up to my memory. But no, while it does indeed have a lot of things to criticize, it remains one of my favorite entries in the series and an easy recommendation.
In love with: The Talos Principle 2
About 9 years ago Croteam surprised everyone by releasing a puzzle adventure with genuinely well written plot, instead of a mindless shooter where you kill dozens of enemies per minute. I loved the game, but by the end of the main game playthrough I got a bit tired with it and did complete the Road to Gehenna DLC. So while I was really interested in seeing Croteam revisit this idea again, I also wasn’t sure how one could make a sequel.
As it turned out, they knew exactly how to do it and it goes beyond my most optimistic expectations.
In love with: Cyberpunk 2077 (2.01 with Phantom Liberty)
I suppose, Cyberpunk 2077 is the perfect example of why is it I try to avoid playing and reviewing games until they’re “complete”. Though, surprisingly, the big change that makes my old review somewhat outdated isn’t the new expansion Phantom Liberty, but rather the 2.0 patch that overhauled the game in a substantial way and all of the patches that preceded it. I loved playing the game even more than before, but this time I can also easily recommend it to others. All it took was “just” 3 extra years of development…
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Revisiting Split/Second
There used to be a time I regularly played fun arcadey racing titles. But then two things happened. First – racing titles started to pursue the open world concept that made all of them move farther from the simplicity and joy of just selecting a car, a track and going. Second – the popularity of more sim-like arcade racing games like Forza Horizon and Grid, games that I just can’t get into to this day. The nice thing is that the last two greats of the genre that I loved were among the best I’ve ever experienced – Split/Second and Need for Speed: Hot Pursuit, both released in 2010. The sad thing is – there hasn’t been a single racing game since 2010 (the remaster of Hot Pursuit notwithstanding) that I’ve genuinely enjoyed. Is Split/Second as amazing as I remember it being?