So, I’m not the biggest fan of turn based RPGs, as I always say when I’m about to talk about one. Neither am I that huge of a “jRPG” fan. I’ve played all of the numbered Final Fantasy games and like most of them, Chrono Trigger is among my favorite games, Parasite Eve is fantastic and all that, don’t get me wrong. But back when the whole PS2 era of Japanese Role Playing Games was happening with dozens of games coming out, I have played almost none of them. Why am I talking about it? Well, Clair Obscur: Expedition 33 is a huge love letter to that whole era of RPGs.
Tag: Highly recommended
In love with: Look Outside
Look Outside is a very unusual type of game. Horror theme in roleplaying games is quite common and some of the most famous examples of the genre and its many subgenres are horror themed. But going beyond just the theme, building mechanics to evoke fear and tension? That’s far less typical. Think of Sweet Home, a Capcom action adventure RPG that is also often considered to be the very first survival horror. A game that is far more of an action adventure than an RPG, basically. Not many games attempt that. From Software experimented with it a bit. There’s the Shadow Hearts precursor Koudelka, of course. Parasite Eve 1 and especially 2. Recently, there has been a resurgence of these types of games, often built with RPG Maker. But they often focus on things that are either too action adventure and barely RPG at all, or vice versa. And those that do focus on being role-playing games often take their main inspiration from titles like Lisa: The Painful or Fear & Hunger, focusing on delivering the brutally hard difficulty, rather than some fun experience.
Now, Look Outside isn’t easy either and I could see influences of Lisa or Fear & Hunger in it. In fact I have played the game on the easier difficulty after attempting to complete it on the normal one first, but I’ll delve into it later. But that’s not the focus nor the selling point of the game. Instead, this game brings the experience that a lot of immersive sims and open world RPGs strive to have – building a personal story in a strange world. And it does it with a lot of style, variety, surreal creativity and fantastic tunes.
In love with: Silent Hill f
Even before Silent Hill died, many fans of the original 3 games (and The Room) had doubts it can come back. Apart from pleasant surprises like Shattered Memories, that played completely differently anyway, the franchise has turned into crap. One last glimmer of hope was Silent Hills that got cancelled almost at the same time as it got revealed and the dream was dead.
And then, after years of Konami going full pachi-slop, there were serious hints of the series revival that I personally dreaded. When the garbage called Silent Hill: Ascension was dumped onto the world (“I like to make jams!”), it only reinforced my feelings that we will see more crap. Silent Hill: The Short Message was better, but played like Shattered Memories except with extremely heavy handed messaging. Only when Silent Hill 2 remake came out and turned out to be solid, if incredibly safe and forgettable, did it start to feel that maybe the franchise can be revived.
That’s how we get to Silent Hill f which is both the best Silent Hill game with combat since Silent Hill 3 (I admire The Room, but it’s a difficult game to enjoy), but also… not much of a Silent Hill game. It’s weird, but in a very good way.
In love with: Sword of the Sea
Journey by thatgamecompany has been rightfully considered a classic for over a decade now, a perfect culmination of ideas the team has played with up until that point. But when several team members left and created their own studio Giant Squid, their first project Abzû was highly liked, but never reached the same cult status. Which is a real shame, because it is one of the most beautiful and medidative games I’ve ever played with really fun movement. A few years later, the team followed it up with The Pathless, another game with really cool movement, but that one I did not finish. It felt like a very odd mix of open world-ish design with the meditative pace of Abzû (that had linear levels), so the end result to me felt very boring. Several years later still, the team decided to mix the best ideas they’ve had in all projects since Journey into Sword of the Sea and it’s really fun.
In love with: Tokyo Xtreme Racer (2025)
It’s very odd to attempt to review a game like Tokyo Xtreme Racer, released in 2025 after a year in early access, as it feels both too simple and too complicated to explain in modern day game market. Because, it’s a game about street racing, where you battle other cars on a section of the Shuto Expressway to see who’s fastest and… that’s really it. The mechanics are simple and they don’t really change across the entirety of the game that can easily take over 20 hours or more. The rule of the “battles” are also dead simple. And most of it has not been changed drastically, it seems, since the original Shutokō Battle on Dreamcast came out in 1999 that was localized in United States as Tokyo Xtreme Racer. In a way, it’s a game from a bygone era. And yet, that’s the best thing possible.
In love with: Metal Gear Solid Δ: Snake Eater
Half a year ago I was revisiting the Metal Gear series with the Master Collection Vol. 1 that is now finally in a good state, and was pleasantly surprised by my experience with MGS3. Up until that playthrough, I had more respect for the entry than love and have far preferred the first and the second games. But the replay has shown Snake Eater in a new light to me, which was one of the main reasons I’ve decided to grab Metal Gear Solid Δ (Delta): Snake Eater. At the end of that previous review I wondered if Delta will be the better way to experience the game. And now I can definitively say – yes.
Revisiting Grand Theft Auto V (Enhanced)
Ten years ago I’ve experienced Grand Theft Auto V for the first time. My opinion on it was very positive, but somewhat underwhelmed – not by the quality of the game itself, but rather by how evolutionary, rather than revolutionary, it all felt. Again, it wasn’t really much of a fault of a game that it couldn’t quite follow up on the previous entries (especially the first three 3D games) in terms of their inescapable impact on the entire game industry and defined an entire genre. But either way, in 2015 I felt very pleased with the game, but not too excited. Now with the Enhanced version of the game being out, I’ve decided to revisit the entire series with this new playthrough of GTA V being the final title. And surprisingly, I’ve found myself loving the game a lot more than I did ten years ago.
In love with: The Roottrees are Dead
I hate to do it again, but… It really feels as if Return of the Obra Dinn was a monumental release. For how many fantastic investigative games existed prior to it, its influence on almost all best investigation focused adventure games since is impossible to miss. But that doesn’t mean that said titles lack identity – usually it’s the opposite and they feel fresh and unique, despite utilizing several key elements canonized by Obra Dinn. And The Roottrees are Dead is no exception – this game pulls more direct influences from the older adventure games that presented themselves as real crime dossiers and asked you to use actual internet websites to unravel its mysteries. And it’s really awesome.
O tempora: Metal Gear Solid 3: Snake Eater – Master Collection Version
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
If there is one entry in the Metal Gear franchise that is unanimously beloved, it would be Metal Gear Solid 3: Snake Eater. Impressive for a PS2 release, wonderfully balanced in gameplay and storytelling, funny and dramatic, systemic but easy to understand. Yet, it was never among my personal favorites. I’ve only played the game (specifically Subsistence release) once and while I liked it enough, many things about the game frustrated me. And due to that, MGS2 remained my favorite. And yet, surprisingly, as I was revisiting the games through the Master Collection, I found how MGS1 and 2 didn’t age as well as I had hoped… While MGS3 felt a lot better than I have remembered.
Read more“O tempora: Metal Gear Solid 3: Snake Eater – Master Collection Version”
O tempora: Clock Tower: Rewind
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Discussing Clock Tower is a bit strange. On one hand, the original game is still incredible in many ways and at the time was highly influential. On the other – it never figured out how to become a franchise, despite 3 further attempts. The latest entry in the franchise was released back in 2002, but several other attempts to re-create the experience were made since then… only for all of them to mostly fail as well.
Clock Tower: Rewind is the first official international release of that inventive original game. And it’s a mixed bag of a release, with a lot of good and some very bad.