After several years of writing about Tomb Raider games that are disappointing, I decided that it’s time to finally revisit mainline games from the franchise that I’ve liked. And started with Tomb Raider: Legend which I originally disliked. Oh boy.
But you know what? What if 15 years later I can enjoy Legend much more than I did when it launched? It surprised even me.
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
It’s been quite a while since I’ve revisited Batman: Arkham Asylum. A really curious mix of a beat ’em up and stealthy action adventuring inside a metroidvania-ish map it instantly became one of my favorite games and even though I’ve admired the later entries in the series as well, none of them came close to being as fun as this first one. I’m happy to say that almost 12 years later it remains wonderful.
I had relatively high hopes for the music in games of last year, but it ended up being a bit disappointing. Which, I suppose, is par for the course for 2020. But some remasters and re-releases have sweetened the deal, while the rest of the games that I have played since the last time I did this sort of post have improved the situation even further. As a result, I did get to enjoy some nice memorable videogame tunes during this past year.
I can’t believe how much I can sometimes enjoy games that are very much “not my thing”, but Warhammer 40,000: Mechanicus managed to be that rare exception. It’s a tactical turn-based strategy game mixed with RPG and choose your own adventure elements set, as the title suggests, in the Warhammer 40K universe. And I tend to absolutely suck at strategy games and tend to dislike turn-based combat. Yet, somehow, something about Mechanicus clicked and I couldn’t stop playing it until I was done.
I’ve never played games in Mana (Seiken Densetsu) series before. I’m aware of the popularity of Secret of Mana, yet to this day I’ve not checked it out, nor it’s poorly received remake. However, as a fan of certain type of Japanese action RPGs, mainly the Ys series from Falcom, when I’ve first seen the gameplay from the Trials of Mana remake, I got very interested. Now, after playing through the game several times and doing everything I could think of, I gotta say – I’ve had a lot of fun with the game.
When I first saw Paradise Killer, I instantly went “nope” and moved on. I mean, it looked like a weak attempt to mix the currently still popular 80s aesthetic with Suda51 and Danganronpa that had all of the flair, but no substance. Yet, as time went by I’ve heard more and more good things about the title and eventually decided to give it a go myself. While my original assumptions weren’t entirely disproven, Paradise Killer turned out to be a really enjoyable game.
It’s very rare that I play rogue-like or rogue-lite games, simply because I tend to not enjoy the idea of randomly generated infinitely replayable titles, vastly preferring the hand-crafted games with a definitive end to them (that I can simply replay if I liked them a lot). However, there have been a few titles that despite all odds got me invested. And somehow Undermine joined their ranks. I’ll try to understand why.
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Among the “classic BioWare titles” the one that I always liked the least was Neverwinter Nights without expansions. It actually happened to be the first “realtime with pause” cRPG that I got to play on my own PC, with me getting the other classics a few months afterwards, after I dropped the first attempted playthrough because I got bored. It was only after thoroughly enjoying the Baldur’s Gate games that I’ve decided to give NWN a chance and in the end did get some enjoyment out of it. The two expansions that followed, Shadows of Undrentide and especially Hordes of the Underdark, were far more enjoyable, yet I couldn’t help but feel that NWN core mechanics and controls were simply less interesting then what BioWare did with Infinity Engine and would do with KOTOR and later titles. So, the last time I’ve actually properly tried replaying NWN was in 2006, if my save files are to be believed. And even then, I didn’t get to the end, getting bored again.
This replay, using the Neverwinter Nights: Enhanced Edition in its latest (as of my writing this, the game is constantly updated) version, fared a bit better. Though, my opinion on the original game hasn’t changed much.
It’s been 10 years since the last time I’ve played Mafia: The City of Lost Heaven. Back then I still loved it, despite a lot of really clunky gameplay elements, for having a genuinely engaging story told inside an open world. We’ve had quite a few examples of really well made story driven titles inside open world design since then, of course, most not resorting to the same mission-based structure the original Mafia had, including the sequel Mafia II. Yet, there was something about that original game from 2002 that still had me extremely excited about the remake announcement. Despite being developed by the team who brought us the disappointing Mafia III, I had high hopes for the Definitive Edition of Mafia. And even though I might argue against the subtitle selected, this turned out to be a fine game indeed.
It’s very simple to make a silly game that does many things and pokes fun at different genres and mechanics. It’s very hard to make it consistently great. Luckily, WHAT THE GOLF? almost never misses.
