Tag: game review

Thoughts on: Q.U.B.E. Director’s Cut

 , , , ,

Q.U.B.E.

Whenever this game is worth buying or not depends, pretty much, solely on the fact, whenever you get the original version of the game or not. I’m saying that because Q.U.B.E: Director’s Cut is probably the worst developers’ spent time and money I can think of in gaming history of remakes and re-releases. What we had was a really nice, chill and clever first person puzzle game, with very distinct look, complete lack of narrative (but a lot of environmental narrative, which left all to your imagination) and beautiful soundtrack.

Read more“Thoughts on: Q.U.B.E. Director’s Cut”

Thoughts on: Castlevania: Lords of Shadow – Mirror of Fate HD

 , , , , , , ,

Mirror of Fate is a curious beast. While I didn’t like first Lords of Shadow all that much, apart from the stunning visual design and an intriguing, but poorly told story, its 2D sequel/side-story feels an improvement in almost every way. It’s like most of the best things and few of the bad things from LoS put together in a 2D action adventure RPG platformer.

Read more“Thoughts on: Castlevania: Lords of Shadow – Mirror of Fate HD”

Revisiting Resident Evil 6 a year later

 , , ,

Resident Evil 6. Год спустя

I like this game. Not only as a huge fan of the series. I really like it. But I cannot recommend it to any fan of Resident Evil, nor anyone who wants a good survival action or simply third person shooter experience, unless they have a lot of patience and forgiveness for all the time the game does something stupid. Which happens way too often.

Read more“Revisiting Resident Evil 6 a year later”

Thoughts on: Thief (2014)

 , , , ,

Thief

Wow, where do I even start? I guess, by saying that despite a LOT of disappointments, bad design decisions, few rare but horrible glitches, the game is good. It really is. When thinking about what I’m going to say about the game while at about mid-point of the game, I was thinking of “really good”. But the last few levels are quite badly done, so “good” it is.

Read more“Thoughts on: Thief (2014)”

In love with: Metal Gear Rising: Revengeance

 , , , , , ,

Sometimes I feel like PlatinumGames can’t make a bad game. Something niche, sure. But that niche will worship this game forever and consider it one of the best of all time. This is the team that has an understanding of action in their blood and western developers can just scream “FUCK YOU!” with impotence. Finally, one of their titles is on PC and it feels my dark soul with liiiiiight (11!!!11). Metal Gear Rising: Revengeance… And I gotta say that Revengeance is a silly word but is actually real. And here I was hoping for a sequel called Unvengeance. I’m still hoping for a sequel, though. I mean, a PC port of Bayonetta would be great as well, but until that happens, we have MGR: Revengeance to fill that genre void on PC. And besides, the games are so wildly different despite their similarities.

Read more“In love with: Metal Gear Rising: Revengeance”

Thoughts on: Amnesia: A Machine for Pigs

 , , , , , , , , ,

Three years ago Amnesia: The Dark Descent took everyone by surprise. When all big budget games decided to ditch the “slow paced” genres and bank everything into the “cinematic” and explosive, a tiny studio called Frictional Games did everything differently and finally got the recognition they’ve deserved ever since Penumbra. After a slow start and very niche horror success it exploded in popularity due to the rise of the “scare cam” let’s players, who loved to scream like children on camera and pretend to be very scared. What once was a niche evolution of horror adventure for a smaller audience became a well known huge hit, something to play on a bet, “the scariest game of all time”.

It’s not surprising then, that after a while a counter reaction followed. “The game isn’t even scary”, “why is it so popular”, “this is so lame and overhyped” and etc. It’s in this climate the “sequel”(not actually a sequel and from a different developer) Amnesia: A Machine for Pigs got released. The game has been just released and already there are thousands of people disappointed in it without even trying it and being shocked that Pigs isn’t The Dark Descent 2 (which will never happen and wouldn’t have happened). Which is especially funny, since in many ways A Machine for Pigs is exactly the kind of game Frictional wanted to do in a while.

Read more“Thoughts on: Amnesia: A Machine for Pigs”

O tempora: Condemned: Criminal Origins

 , , , , , ,

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Of course, I couldn’t replay F.E.A.R. without additionally replaying another great release from Monolith Productions of 2005 (PC version was released in 2006). Especially since both F.E.A.R. and Condemned are similar in several regards. They’re both set in minimalist run down locations, both mix realism and supernatural, both have shockingly good enemy AI and highly interactive environment (for 2005, though, not a lot of games attempted to do similar things since then) and both tell the story in two ways – via a conventional narrative and via notes, messages and other items that piece together the narrative. But F.E.A.R. was a cinematic bombastic FPS first, so its approach to horror was far more in your face, far more shock-focused to go along with its fast gameplay. Condemned does things differently – it’s careful, brooding and slowly swallowing you into madness.

Read more“O tempora: Condemned: Criminal Origins”

O tempora: F.E.A.R. (with expansions)

 , , , , , , ,

O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.

Monolith Productions has remained one of the most important studios for me for the longest time. I liked Blood as a teen, but my own proper PC wasn’t a thing until 2001, which was just about the time The Operative: No One Lives Forever got released. That classic, which is still sadly not re-released due to rights issues, was just the beginning. Fantastic Aliens versus Predator 2 followed with its 3 story campaigns that constantly cross over – something that is still a rarity for games. Then, of course, a long expected sequel No One Lives Forever 2: A Spy in H.A.R.M.’s Way. Then one of the best movie license games ever – Tron 2.0. And then, in a single year, two amazing games got released – F.E.A.R. and Condemned: Criminal Origins. I am not listing a couple of other games they developed, just due to not playing them myself (though I did play Contract J.A.C.K., which isn’t worth mentioning), but point is – Monolith never disappointed me.

F.E.A.R. was the point where everything started changing. With the game itself, as it was a unique blend of ideas from classic FPS titles and the more “modern” ideas for the genre. For the company, since after this year their projects started getting less praise. And even for the company focus – a switch from their PC-centric development (LithTech engine was specifically designed to be a showcase of DirectX), to a far larger emphasis on consoles. 8 years after F.E.A.R. was originally released, a lot of its faults are more obvious. Yet, it still never fails to amaze.

Read more“O tempora: F.E.A.R. (with expansions)”