Happy about: Orwell, Emily is Away Too and The Banner Saga 2

Story-driven titles, be they based around simple text or visual based interactions or on top of fleshed out other genres/mixes of genres, always have to consider the dangers of being story-driven – does the story focus enhance with the gameplay, is something done at the expense of something else, are the stories written and/or told in a good enough way for the game to have a story focus? Let’s look at some good examples among the titles where story is almost all there is: Orwell, Emily is Away Too and The Banner Saga 2.

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Few words on Dead Rising

To my surprise, I’ve completed the first Dead Rising today, now that it’s on PC. To my surprise, because I felt (and still do) that this game isn’t really “for me” and because I attempted playing Dead Rising 2 before and didn’t enjoy the experience much. I still feel like I cannot write this as a “proper review”, especially since I cheated in a few places to speed things up and didn’t redo the same things proper, so my perception is a bit off. But I do have a few words to say about the game and what I’ve seen of the series so far.

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Thoughts on: The Silent Age, Mr. Pumpkin Adventure and Four Last Things

The art of point and click adventuring can be tackled in many different ways. Some focus on story, some on puzzles, some on comedy, some just try to create an unexpectedly deep adventuring via a simple mouse-based controls interface. The Silent Age, Mr. Pumpkin Adventure and Four Last Things, however, are of the simple sort. The story, the puzzles and the comedy.

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Thoughts on: Several games I’ve had no time to write about before

It is time again to write about a bunch of games I played, some of which I finished, but which didn’t really require a full on exclusive review for them (or even the dual/triple review post, for that matter). The games I will cover here are these: Pony Island, Refunct, Deus Ex: The Fall, Layers of Fear, Dream Machine, Hidden Folks, Clustertruck, Superhot, 2000:1 A Space Felony, Goat Simulator, Environmental Station Alpha, Ori and the Blind Forest and Shantae and the Pirate’s Curse. Yep, that’s a lot of stuff that piled up over the course of about half a year. Let’s get to it.

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Happy about: Stories Untold and What Remains of Edith Finch

For the past 10 years or so understanding of what can be achieved with videogames in terms of storytelling has changed quite a lot. From feeling too dependent on the gameplay mechanics to “be successful” which was then crushed by several titles like original Dear Esther mod or strange experiences from Tale of Tales we came to the almost opposite reality of games trying to brush off gameplay as unnecessary and trying to be as non-game as possible to tell their stories. But this whole movement seems to have finally matured in recent years and we’re getting more an more titles that try to mix gameplay and storytelling in ways that naturally complement each other, rather than compete with each other. And two new interesting examples of that are Stories Untold and What Remains of Edith Finch.

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Happy about: Headlander and Kero Blaster

When you think Double Fine, you usually think adventure games, either point and click or action adventures. They do have attempts at strategy games and even simple jRPGs, but it still feels a bit weird to see something like Headlander pop up. Because Headlander is a metroidvania… At least, Pixel is consistent in his love of cutely drawn action platformers, even if, unlike Cave Story, Kero Blaster is linear. So, let’s take a quick look at these two games.

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Thoughts on: The Witness and Samorost 3

It might seem strange for me to pair these two quite different adventure/exploration/puzzle games into one post, but there’s a good reason for that, I feel. That is, apart from me playing them one after the other and not feeling like making separate posts. They’re both beautiful but flawed games. Flawed at the execution of the key ideas they aim to shine at.

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