I can’t believe how much I can sometimes enjoy games that are very much “not my thing”, but Warhammer 40,000: Mechanicus managed to be that rare exception. It’s a tactical turn-based strategy game mixed with RPG and choose your own adventure elements set, as the title suggests, in the Warhammer 40K universe. And I tend to absolutely suck at strategy games and tend to dislike turn-based combat. Yet, somehow, something about Mechanicus clicked and I couldn’t stop playing it until I was done.
Tag: great soundtrack
Happy about: Trials of Mana (2020)
I’ve never played games in Mana (Seiken Densetsu) series before. I’m aware of the popularity of Secret of Mana, yet to this day I’ve not checked it out, nor it’s poorly received remake. However, as a fan of certain type of Japanese action RPGs, mainly the Ys series from Falcom, when I’ve first seen the gameplay from the Trials of Mana remake, I got very interested. Now, after playing through the game several times and doing everything I could think of, I gotta say – I’ve had a lot of fun with the game.
Happy about: Paradise Killer
When I first saw Paradise Killer, I instantly went “nope” and moved on. I mean, it looked like a weak attempt to mix the currently still popular 80s aesthetic with Suda51 and Danganronpa that had all of the flair, but no substance. Yet, as time went by I’ve heard more and more good things about the title and eventually decided to give it a go myself. While my original assumptions weren’t entirely disproven, Paradise Killer turned out to be a really enjoyable game.
Happy about: Undermine
It’s very rare that I play rogue-like or rogue-lite games, simply because I tend to not enjoy the idea of randomly generated infinitely replayable titles, vastly preferring the hand-crafted games with a definitive end to them (that I can simply replay if I liked them a lot). However, there have been a few titles that despite all odds got me invested. And somehow Undermine joined their ranks. I’ll try to understand why.
O tempora: Neverwinter Nights: Enhanced Edition
O tempora is a series of retrospective posts where I play games from ages before to see if they stood the test of time.
Among the “classic BioWare titles” the one that I always liked the least was Neverwinter Nights without expansions. It actually happened to be the first “realtime with pause” cRPG that I got to play on my own PC, with me getting the other classics a few months afterwards, after I dropped the first attempted playthrough because I got bored. It was only after thoroughly enjoying the Baldur’s Gate games that I’ve decided to give NWN a chance and in the end did get some enjoyment out of it. The two expansions that followed, Shadows of Undrentide and especially Hordes of the Underdark, were far more enjoyable, yet I couldn’t help but feel that NWN core mechanics and controls were simply less interesting then what BioWare did with Infinity Engine and would do with KOTOR and later titles. So, the last time I’ve actually properly tried replaying NWN was in 2006, if my save files are to be believed. And even then, I didn’t get to the end, getting bored again.
This replay, using the Neverwinter Nights: Enhanced Edition in its latest (as of my writing this, the game is constantly updated) version, fared a bit better. Though, my opinion on the original game hasn’t changed much.
Happy about: Mafia: Definitive Edition
It’s been 10 years since the last time I’ve played Mafia: The City of Lost Heaven. Back then I still loved it, despite a lot of really clunky gameplay elements, for having a genuinely engaging story told inside an open world. We’ve had quite a few examples of really well made story driven titles inside open world design since then, of course, most not resorting to the same mission-based structure the original Mafia had, including the sequel Mafia II. Yet, there was something about that original game from 2002 that still had me extremely excited about the remake announcement. Despite being developed by the team who brought us the disappointing Mafia III, I had high hopes for the Definitive Edition of Mafia. And even though I might argue against the subtitle selected, this turned out to be a fine game indeed.
In love with: WHAT THE GOLF?
It’s very simple to make a silly game that does many things and pokes fun at different genres and mechanics. It’s very hard to make it consistently great. Luckily, WHAT THE GOLF? almost never misses.
Happy about: AMID EVIL
With the new oldschool FPS wave on the rise, it’s nice to see as many good attempts at the genre as there are. My biggest trouble with looking at these games, however, is due to how quickly the revival peaked with the astonishing DUSK in late 2018. And given that AMID EVIL is published by the same team at New Blood Interactive and also features the soundtrack by Andrew Hulshult, avoiding comparisons is pretty much impossible. It’s good then that this title has its own unique set of strengths to distinguish itself.
Happy about: Persona 4 Golden
I have very little experience with the (Shin) Megami Tensei series of (mostly) jRPG titles by ATLUS. I first learned of the series after the huge success of Persona 3 about 11 years ago, which is in itself part of the sub-series of games with a different story and gameplay focus. I did play Persona 3 FES around the same time. I loved the unique blend of social simulation and turn based jRPG dungeon crawling and the overall dark horror mood of the story got me through a huge chunk of the game, but in the end I’ve never finished it. Same happened with the original Persona 4, which I’ve tried a few years later – I liked the premise and the gameplay, but playing on PS2 with its loading speeds get to me in the end and I dropped it, hoping that later the game will be ported to other platforms where its problems will be alleviated somewhat.
Persona 4 Golden was such a port… which I did miss because I never owned a PS Vita. Yet, moving the title to a portable console seemed like a smart move – these are long games and the social/life sim aspect takes a lot of time, while also being very easy on the pick up and play routine and that’s where a lot of people enjoyed the game even more. Fast forward eight more years and Persona 4 Golden made a surprise showing as a PC port with a few more improvements over the enhanced PS Vita port. And now I’ve finally played the game to the end.
Thoughts on: Hypnospace Outlaw
Ever since the release of Her Story there’s been a lot of releases which approach the investigation adventuring in a different way, essentially simulating the work of looking through archives. While there were earlier examples of that that worked more like ARGs, like In Memoriam, and other titles that experimented with alternative ways of how a mystery can be solved in an adventure game and what mechanics can it use for doing so, I feel that Her Story was an exact point where people became more open to the idea and started experimenting with it more often. Hypnospace Outlaw in particular is simulating the experience of working as a moderator (Enforcer) inside an Internet-like network called Hypnospace. And it’s more curious than actually fun.