Dreamfall Chapters. End of the Journey

Ahh, The Longest Journey… Despite the original and Dreamfall being pretty flawed adventure games in their own ways, there was nothing like it in terms of stories. Mix of cyberpunk and fantasy in such a magical way that feeds your imagination. A tale that feels so unique, doing “it’s own thing” and in such a good way too, despite some clear influences. These worlds of Stark and Arcadia, technology and magic, were always something I wanted to see more of. Besides, Dreamfall: The Longest Journey didn’t really have a proper ending, with Dreamfall Chapters being planned from the start to continue from when that game left of. But those plans were shelved for… how long was it? Almost 8 years? And if you count the release of the final chapter (released just a few months before me writing this), it’s been 10 years since Dreamfall was released. And it’s such a strange feeling that this continuation is a tighter budget, community funded (via Kickstarter) project too… So, then, how is it? Is it a proper ending to all the story threads that were started before? Let’s find out.

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Revisiting Deadly Premonition: The Director’s Cut

It’s been a while since I’ve played Deadly Premonition. Funny story – I was actually one of the seemingly few, who were waiting for the game to get released way before it was named Deadly Premonition. Originally it was announced as “Rainy Woods” in 2007, was even more Twin Peaks influenced and for me, a huge survival horror fan with soft spot for that David Lynch series, it was enough to get excited. But then the game just kinda dropped off my radar until suddenly popping up in a Destructoid review by Jim Sterling in early 2010, who loved the hell out of it. I didn’t even recognize the game back that from the start, since it has changed the title and even the looks (and name) of the main protagonist (the original name went to the next Swery’s game – D4). But when I finally did I knew – I need this game in my life. I never had an Xbox 360, but my friend did, so he grabbed the game, lent me the console for few weeks and I found a new game to put in the list of absolute favorites. But it was flawed. It needed a remaster. Is The Director’s Cut here to do the job? I’m going to spoil it right away – it isn’t in the slightest.

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Thoughts on: Sylvio

Sylvio might look like “yet another Unity engine First Person horror adventure game”, but it’s not. It does things in a very unique and interesting way and it all boils down to the fact, that the game is all centered around the EVP – Electronic Voice Phenomena. If you were every interested in any paranormal things you might understand that no matter how unscientific and disproved this is, it can still be a thrilling theme to explore. Hence the popularity of the topic not only in classic horror movies, but in modern ones as well. Yet, surprisingly, not a single game (to my knowledge) before Sylvio has dedicated itself fully to it.

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Thoughts on: Axiom Verge

A lot of people seem to call this game a love letter to “metroidvania”, and I can’t fault them for that. This is one person’s attempt to create a truly modern 2D Metroid-like game, using all the lessons learned from the best of the best in genre and adding new elements, that weren’t tried in the genre before. This game has exciting exploration, varied locales, fantastic soundtrack, unique visuals that mix old-school 8bit and 16bit era art with subtle modern effects, surprisingly good challenge for the most part and a very interesting atmosphere that can probably be summarized as “sci-fi adventure as if Another World/Out of This World was designed by H.R. Giger”.

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In love with: SOMA

Time is a curious thing. 2006, the Penumbra tech demo and a completely different me. Today it all feels so far away. So many changes, so many things to happen, choices to make, emotions to feel. It’s 5 years since Amnesia: The Dark Descent. 2 since A Machine for Pigs (even though it wasn’t made by Frictional). Two more versions of me. Would all these versions of myself and me today live together? Would we understand each other? How would that work? Are we defined by our consciousness or something more than that?

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Loving the: Alien: Isolation

Ridley Scott’s Alien is still an amazing movie. 36 years later its “future technology” has aged. Computers slowly render the information in 2 colours on a CRT monitor while their hard drives make lots of noises – this feels like it has no place in space flight of the future, even though space flight is usually planned to have cheaper more durable hardware installed. Yet, so many people grew up on the sci-fi with this technology, myself included. And the costume and set designers tried their damnedest to create something tangible, something real, something one would want to visit. If if that beautiful and outdated set is populated by a terrible alien creature which is as much a cultural icon as this type of sci-fi itself. How many games tried to do Alien. How many failed. And most aimed to be something closer to Aliens anyway, something action heavy and lighter on horror theme, not a pure chilling horror in space where no one can hear you scream. Alien: Isolation is hear to fix this unfortunate error.

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Revisiting Cryostasis

So much stuff has happened since 2008. The last, at least for now, game from Action Forms got released and since then they were in “a stasis”. The same game got to be my second ever post that can be called a review or an opinion. Three years later me and DiodorOFF interviewed Igor Karev, as per link above, about Action Forms. And every hot summer me and my best friend used to replay the game just so we can feel the chills. It never failed. Yet, since 2012 I have not played the game and since then, I’ve gotten a widescreen monitor and, very recently, a GPU from nVidia, so now I had a chance to replay the game “the way it’s meant to be played” with the really beautiful PhysX effects turned on and running (almost) well. It was as if I was playing it for the first time again. It’s a shame that the game is still not digitally sold due to conflicts with 1c…

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Metro 2033 Redux. Better in most things edition

4A has recently released Metro Redux – a pack of two remastered games, Metro 2033 from 2010 and Metro: Last Light from last year. Both games were moved to an updated engine with updated lighting, both games have new distinct modes of playing them – Survival (closer to 2033) or Spartan (closer to Last Light). Both games got updated voice acting, with the same voice actor for Artyom in all main languages and new localisations including the Ukrainian. I’ve already told what I think of the Metro: Last Light Redux, which was less affected by this remaster. Metro 2033, on the other hand, looks very different now, several levels were combined, some scenes and sections were redone, at times completely, the weapons were redesigned to be closer to how they work in the second game (so you modify weapons now instead of exchanging different weapons with different modifications), controls were updated as well. Most of these changes were welcome and make the game far more fun to play. Yet, there are a couple of changes that are questionable at best and outright dumb at worst.

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